CurtainUp
CurtainUp

The Internet Theater Magazine of Reviews, Features, Annotated Listings
www.curtainup.com


HOME PAGE

SITE GUIDE

SEARCH

REVIEWS

REVIEW ARCHIVES

ADVERTISING AT CURTAINUP

FEATURES

NEWS
Etcetera and
Short Term Listings


LISTINGS
Broadway
Off-Broadway

NYC Restaurants

BOOKS and CDs

OTHER PLACES
Berkshires
London
California
New Jersey
DC
Connecticut
Philadelphia
Elsewhere

QUOTES

TKTS

PLAYWRIGHTS' ALBUMS

LETTERS TO EDITOR

FILM

LINKS

MISCELLANEOUS
Free Updates
Masthead
Writing for Us
A CurtainUp London London Review
Thrill Me


"There's nothing like a warm, romantic fire/
To put me in the proper frame of mind/
There's nothing like a roaring, raging fire/
To help me unwind"

— Richard Loeb in "Nothing Like a Fire"
Thrill Me
Ben Woods as Richard Loeb and Jo Parsons as Nathan Leopold (Photo: Nick Rutter)
What I find most intriguing about reviewing theatre is the unexpected directions these dramas take you to and the fascinating connections. Way back when one of the first plays I reviewed was at Battersea Arts Centre, starting on their wonderful staircase outside the theatre, a production of Inherit the Wind. I saw this play later with the great Kevin Spacey playing the attorney. Just a few weeks ago, I reviewed Kevin Spacey as Clarence Darrow, the real life lawyer who defended the teacher in the Scopes Monkey trial.

So I come to this show about the two young men, who having exhausted the thrills of burglary and fire raising, turn to the murder of a child. It was Clarence Darrow who defended these two unpopular men, Nathan Leopold and Richard Loeb, and spared them the death penalty. Their story formed the basis for Patrick Hamilton's 1929 stage play, and Hitchcock's later film, Rope.

Stephen Dolginoff has created a piece full of sexual tension as we examine Leopold's attraction to Loeb, the reason for his discarding his moral code. The play opens with Nathan Leopold's fifth application for parole in Chicago in 1958 and with flashbacks to the events of 1924 when they were 19 year olds. We are told that Richard Loeb was a follower of the German philosopher Nietzsche and that Loeb thought hubristically that he was so intelligent, a superman, that they would never be caught.

There is a piano playing for the songs but also through the spoken scenes, a really pretty accompaniment. The songs are accessible and the lyrics often witty. The music may be heavenly when terrible, evil actions are being discussed or described. I liked the way recorded voices are used to make the stage seem much more peopled that just the two actors. Even at Greenwich, a traditional proscenium arched theatre, and not a smaller studio space, the show filled the stage. There are lighting shifts to match the mood.

The performances are vivid: tall, thin, controlling Loeb with his boater and bow tie and taunting Nietzsche type arrogance. Nathan Leopold is more affable but also rather pathetic as, like a puppy, he pursues Loeb. Both actors sing well and you can hear every word of the lyrics. There is a good switch towards the end which I will not spoil for you.

Thrill Me fulfills two musical book elements I have come to appreciate; its tale of real life people and the darkness of its theme. I found myself thinking about Parade and even Assassins.

This show haunts and excites in equal measure and, under Guy Retallack's faultless direction, is one of the most accomplished I have seen as we examine what it is that made two rich kids risk everything by perpetrating an act of pure evil. Don't miss it!



For Elyse Sommer's review of this production in 2005 in New York and the complete song list go here.

Subscribe to our FREE email updates with a note from editor Elyse Sommer about additions to the website -- with main page hot links to the latest features posted at our numerous locations. To subscribe, E-mail: esommer@curtainup.comesommer@curtainup.com
put SUBSCRIBE CURTAINUP EMAIL UPDATE in the subject line and your full name and email address in the body of the message -- if you can spare a minute, tell us how you came to Curtain Up and from what part of the country.
Thrill Me
Book, Music and Lyrics by Stephen Dolginoff
Directed by Guy Retallack

Starring: Ben Woods and Jo Parsons
Musical Director: Tom Turner
Designer: James Turner
Lighting: Richard Williamson
Original sound: Anjali Kale
Sound Design: Peter Russell
Choreographer: Paul Harris
Running time: One hour 20 minutes without an interval
Box Office: 020 8858 7755
Showing at Greenwich to 18th April 2015 and then on tour to 6th June 2015
Reviewed by Lizzie Loveridge based on 9th April 2015 performance at the Greenwich Theatre, Crooms Hill, London SE10 8ES (Rail/ DLR: Greenwich/Cutty Sark)
REVIEW FEEDBACK
Highlight one of the responses below and click "copy" or"CTRL+C"
  • I agree with the review of Thrill Me
  • I disagree with the review of Thrill Me
  • The review made me eager to see Thrill Me
Click on the address link E-mail: esommer@curtainup.com
Paste the highlighted text into the subject line (CTRL+ V):

Feel free to add detailed comments in the body of the email . . . also the names and emails of any friends to whom you'd like us to forward a copy of this review.

London Theatre Walks


Peter Ackroyd's  History of London: The Biography



London Sketchbook



tales from shakespeare
Retold by Tina Packer of Shakespeare & Co.
Click image to buy.
Our Review


©Copyright 2015, Elyse Sommer.
Information from this site may not be reproduced in print or online without specific permission from esommer@curtainup.com