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A CurtainUp Review
Things We Do For Love
At the center is frigid, efficient, organized Barbara, as capable of managing her boss' calendar as she is putting up a knick-knack shelf. (Her school nickname, "Spike," is apropos. Shunning both relationships and marriage ("I chose to live alone," she says), she's paradoxically desired by her downstairs tenant Gilbert, worshipped by her former school chum Nikki, and enters into a passionate love-hate relationship with the chum's fiancé Hamish. Barbara's flat on the first floor of her early Victorian terrace house reflects her fastidious personality. Upstairs is a messy rental she must clean up before her new tenants, Nikki and Hamish, arrive. The downstairs flat is occupied by Gilbert who not only harbors a secret obsession for Barbara but acts that out by painting her nude portrait on his ceiling. Barbara and Hamish's instant dislike for one another is only a temporary impediment. Beneath their mutual insults is a lustful attraction that will eventually wound both Nikki, one of life's victims, and the offbeat Gilbert. As Ayckbourn once said, "People do a lot of damage to each other with the best of intentions. . . Love can do a lot of unintended damage." Under John Tillinger's sprightly direction, the cast is superb. As Barbara, turning her emotions on a dime — caustic one minute, dissolved in tears the next — Geneva Carr is a bundle of repression whose blossoming crackles with pent-up fire. Sarah Manton is both plaintive and feisty. Nikki Matthew Greer's Hamish reveals the sensitive soul hiding behind gruff masculinity and Michael Mastro's Gilbert is both yearning and kooky without becoming grotesque. The production looks handsome, although the set's configuration causes problematic sightlines. Yet, what's missed visually, and sometimes aurally, are not fatal flaws. This Things.. . is joyful and provocative.
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