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A CurtainUp London London Review
hang


"You tell me what to do then.
When my kisses drown in their tears.
When they flinch from my own touch."
— Three
hang
Marie Jean-Baptiste as Three (Photo: Stephen Cummiskey)
debbie tucker green (lower case is her choice) has been away from drama for a few years since Truth and Reconciliation at the Court in 2010, but she has been writing film scripts including Second Coming for Idris Elba. In the main theatre at the Royal Court, the stage has been given a much lower ceiling, with parallel lines of broken lighting like the white lines in the centre of small country roads. The effect is oppressive. The characters are called One, Two and Three.

One (Claire Rushbrook) is dressed in uniform and is being solicitous to the visitor Three (Marie Jean-Baptiste). One is making sure she is comfortable, offering her a drink, making small talk, asking whether she wanted anyone with her. Three is defensive, edgy and we the audience are asking ourselves why she is here? What is the issue that has caused this meeting? Three says, "The whole family know why I'm here," and I am struck that we, the audience, do not.

With the Jimmy Savile play fresh in my mind, I wonder whether she is a victim of abuse. Whether this is a school she once attended? Or where her children have been abused? One and Two (Shane Zaza) have a forced air of cheerfulness but then Three opens up about the effect of something that has had a traumatic effect on her two children.

Her children, ten and twelve, are troubled. The boy has been moved from several schools and she explains how unsettled he is with a rhythmic repetition of phrases which have a powerful impact, making the point again and again but spoken with a calmness. Every so often a strip light fizzes as if it about to blow at tense points in the script.

I am not sure if I should tell you why Three is here, why she has been summoned. But the play is about a future when prisons are so overcrowded alternative punishments are being examined and the victim gets a say in what should happen.

The performances are stellar. Marie Jean-Baptiste is mesmerizing as the woman victim of a terrible crime. No amount of empathy can strike anything except an empty note as she reminds One that she cannot know how she feels. Into this very human situation is injected the protocol, the procedures, the training that has to be followed. Claire Rushbrook too delivers her civil service speak language impeccably.

debbie tucker green writes like a poet creating word pictures that we can feel. She has a remarkable talent and her words combined with fine acting will linger in your psyche.

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hang
Written and directed by debbie tucker green

Starring: Marie Jean-Baptiste, Claire Rushbrook, Shane Zaza
Designer: Jon Bausor
Lighting: Tim Mitchell
Composer: Luke Sutherland
Sound: Christopher Shutt
Movement: Polly Bennett
Running time: One hour ten minutes without an interval
Box Office 020 7565 5000
Booking to 18th July 2015
Reviewed by Lizzie Loveridge based on 16th June 2015 performance at the Royal Court Jerwood Theatre Downstairs, Sloane Square, London SW1W 8AS (Tube: Sloane Square)
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