CurtainUp
CurtainUp

The Internet Theater Magazine of Reviews, Features, Annotated Listings
www.curtainup.com


HOME PAGE

SITE GUIDE

SEARCH

REVIEWS

REVIEW ARCHIVES

ADVERTISING AT CURTAINUP

FEATURES

NEWS
Etcetera and
Short Term Listings


LISTINGS
Broadway
Off-Broadway

NYC Restaurants

BOOKS and CDs

OTHER PLACES
Berkshires
London
California
New Jersey
DC
Connecticut
Philadelphia
Elsewhere

QUOTES

TKTS

PLAYWRIGHTS' ALBUMS

LETTERS TO EDITOR

FILM

LINKS

MISCELLANEOUS
Free Updates
Masthead
Writing for Us
A CurtainUp London London Review
First Episode


"The friendship of young men can be very selfish." — Margot
First Episode
Adam Buchanan as Bertie and Molly Hanson as Joan (Photo: Flavia Fraser-Canon)
Jermyn Street is a boutique theatre, a delightful venue which often revives rare plays from the 1920s and 30s. Terence Rattigan wrote First Episode at 21 with his South African friend and fellow undergraduate Philip Heimann and it is his first play.

Set in an Oxbridge college, (Rattigan studied at Trinity College Oxford), First Episode is flawed but interesting as indicative of his later writing. It was condemned at the time by the morality police because to quote one, they couldn't believe Oxford undergraduates would commit such debauchery.

First Episode is based on the events around a production of Romeo and Juliet at the Oxford University Dramatic Society when George Devine, later the founder of the English Stage Company at the Royal Court, brought in John Gielgud to direct and Peggy Ashcroft, then aged 24, to play Juliet. Although the play's incidence of sex, the gambling and the over consumption of alcohol are based on real life events, they didn't all happen together or in the space of two and a half hours as they do in the theatre.

What is interesting about First Episode is its exploration of gay emotions almost forty years after the trial of Oscar Wilde for indecency, "the love that dared not speak its name". The feelings undergraduate scholar David (Philip Labey) has for Tony (Gavin Fowler) are only implied. First Episode also has description of an infatuation between an older woman and a younger man and that of several male undergraduates interacting with a not very bright town girl of easy virtue.

Interesting too is that the play first shows in London in 1933, the year that the Oxford Union, and Rattigan was one of them in his third year, voted not to fight for King and Country. However he joined the Royal Air Force in World War Two as did many who had voted for the motion.

We meet the group of undergraduates living together in college rooms, David Lister, Albert Arnold, known as Bertie (Adam Buchanan), Scotsman Philip Kahn (Alex Hope) and Tony Wodehouse. Bertie has a back room role with the Dramatic Society and is less sophisticated, more naive, than the others. Tony is never seen without his evening dress white silk scarf and has pretensions to match. James (Harry Gostelow) is their college servant. The two women are Joan Taylor (Molly Hanson) a local girl who is not a blue stocking and Margot Gresham (Caroline Langrishe). Without the Rattigan connection there might be too little pace to keep your attention here for close three hours.

I very much liked Molly Hanson's performance as Joan, the girl with a luscious body and small brain. Her comedy role is very well played and great fun and could almost be classified as farce. I hope other directors will pick up on her comic talent.

The flaw for me was not being able to believe the relationship between Tony and Margot and without this credibility which is down to casting and sexual chemistry, the whole play is less effective because we care too little about the outcome. However I liked Philip Labey's depth as David but couldn't see why he too was attracted to Gavin Fowler's Tony. The ultimate outcomes for David are very similar to Rattigan's own at Oxford. Adam Buchanan starts in a very stiff way as Bertie, a buffoon but comes into his own towards the end of the play with some lovely scenes with Joan. Alex Hope brings musical talent to the play.

The director has taken a leaf out if the Finborough/Arcola's book with jaunty scene changes to music but these are a tad lacking in movement to be fully effective. The detailed set of the study is in period and the costumes are accurate, including the right university gowns.

Editor Dan Rebellato had several versions of this play to work from and his introduction is the text is well worth the read. Even for a juvenile work there are glimpses of the understanding of human tragedy that Rattigan was to go on to convey so well.

Subscribe to our FREE email updates with a note from editor Elyse Sommer about additions to the website -- with main page hot links to the latest features posted at our numerous locations. To subscribe, E-mail: esommer@curtainup.comesommer@curtainup.com
put SUBSCRIBE CURTAINUP EMAIL UPDATE in the subject line and your full name and email address in the body of the message -- if you can spare a minute, tell us how you came to CurtainUp and from what part of the country.
First Episode
Written by Terence Rattigan and Philip Heimann
Directed by Tom Littler

With: Adam Buchanan, Alex Hope, Gavin Fowler, Molly Hanson, Philip Labey, Caroline Langrishe, Harry Gostelow
Set Designer: Neil Irish
Lighting: Tim Mascall
Sound Design: Matt Eaton
Costume Design: Emily Stuart
Producer: Primavera
Running time: Two hours 40 minutes with an interval
Box Office 020 7287 2875
Booking to 22nd November 2014
Reviewed by Lizzie Loveridge based on 30th October 2014 performance at the Jermyn Street Theatre, 16B Jermyn Street, London SW1Y 6ST (Tube: Piccadilly Circus)
REVIEW FEEDBACK
Highlight one of the responses below and click "copy" or"CTRL+C"
  • I agree with the review of First Episode
  • I disagree with the review of First Episode
  • The review made me eager to see First Episode
Click on the address link E-mail: esommer@curtainup.com
Paste the highlighted text into the subject line (CTRL+ V):

Feel free to add detailed comments in the body of the email . . . also the names and emails of any friends to whom you'd like us to forward a copy of this review.

London Theatre Walks


Peter Ackroyd's  History of London: The Biography



London Sketchbook



tales from shakespeare
Retold by Tina Packer of Shakespeare & Co.
Click image to buy.
Our Review


©Copyright 2014, Elyse Sommer.
Information from this site may not be reproduced in print or online without specific permission from esommer@curtainup.com