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A CurtainUp London Review
Geraldine James is Ruth, the Conservative Prime Minister. Though a woman and a Conservative, she is not a strident Maggie Thatcher, right wing Tory but a leader who believes in hard work and responsibility. "We get the importance of the NHS, of comprehensive schools, of a state which looks after people," she says. America and Britain are on the edge of embarking on a war against Iran, which potentially can develop its own nuclear weapon, while protestors on the streets of London are demonstrating against the rise in university fees.
Into London comes the enigmatic John (Trystan Gravelle), a young man who has been away for some time but who takes to a soap box in London and starts to talk to people about belief. A group gather round him to listen. Some of the individuals we have already met, Amir (Davood Ghadami) an out of work college lecturer and his girlfriend Rachel (Kirsty Bushell) both of whom John knew before. Mark (Adam James) is a solicitor called to advise Amir, arrested in the demo. Mark has "a paying for sex" relationship with Holly (Lara Rossi) who lives with her grandmother Edith (Helen Ryan). Shannon (Katie Brayben) is the cleaner at Number 10. Stephen (Danny Webb) is a friend and university colleague of Ruth’s.
There are twelve characters in this cross section of British society, John is the 13th. The New Testament parallels are there. They are joined by the American special envoy Dennis (Nick Sidi) who is in England with his wife Sarah (Genevieve O’Reilly) and their precocious 11 year old daughter Ruby (Grace Cooper Milton or Jadie-Rose Hobson) who is extremely unpleasant to her mother. What links these individuals is that they are having bad dreams. They wake up in a fright having heard a large explosion from a nightmare full of monsters.
Tom Scutt’s set is a giant black cube which has two levels so people can stand inside the cube looking out. This parallels Stephen’s (Danny Webb) tiny black box which, when opened, he tells us will reveal the nature of God. A confirmed atheist, he opens it and finds nothing. Th3 ominous set uses the Oliver revolve and the first act is a whirlwind of characters culminating in a following for John as half a million people gather to support him and his ideas.
Despite the number of parts, Thea Sharrock’s production has clarity as each character links in. The first act ends with John as a messianic prophet showing people a new way, empowering them to find out what they really want.
In the second act, a political debate is set up between Prime Minister Ruth, her friend and academic Stephen and the prophet John now leader of a movement spread through the social media. John is attempting to prevent Britain going to war against Iran but dirty tricks will be used to undermine his support as the politician plays her trump cards. Suddenly it is the winning that is important not the principles.
The performances are excellent from Geraldine James as that oxymoron, the compassionate Tory and from Trystan Gravelle, as John whose Jesus like bearing in the First Act had us all convinced that he was the new Messiah. I liked too Adam James’ solicitor Mark ultimately praying and asking for forgiveness in a moving scene with John, and Lara Rossi as Holly, his girlfriend. Helen Ryan, as her forgetful grandmother Edith, doles out cash to Holly, promptly forgets she has done so and stumps up again.
I enjoyed the first act more than the second but 13 is the kind of play you may need to read and see again in order to fully grasp all of its complex threads. Personally I hope that Mike Bartlett will return to those plays he writes about relationships and families, My Child, Artefacts, Cock and Love Love Love.
Retold by Tina Packer of Shakespeare & Co.
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