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Writing for Us

A CurtainUp Los Angeles Review
Zastrozzi


Once you make your one little mistake, sir, you must continue or be destroyed. The insulation of evil is the only thing that makes you survive.— Bernardo to Zastrozzi.
Canadian playwright George F. Walker calls this a melodrama and embellishes it with a swashbuckling gangster, a nymphomanical seductress who is great with bullwhips and rapiers, a dimwitted murderous assistant, a professional virgin, and a visionary artist tutored by an ex-priest. As they crack, parry and lunge across the stage trying to manipulate and murder each other in this Grand Guignol farce, Walker permeates them with such themes as guilt, responsibility and who deserves to execute judgement. The play is based on a novel written by poet Percy Byshe Shelley when he was a teen-ager, before the fabled summer when he, wife Mary, her sister Clare and Clare's lover Lord Byron went to Italy. There Mary wrote Frankenstein and Byron inspired Dracula. Here's where Shelley's lifelong themes of atheism and disdain for ordinary morality surface, as well as his belief that killing the soul is more important than killing the body.

Producers 49th Parallel Theatre and Open at the Top Productions have imported film noir movie posters to the lobby of the Noho Arts Center to underline the homicidal revenge motif. Co-directors Sara Botsford and Chris (CB) Brown have set a flamboyant pace laced with humor appropriately lit by Luke Moyer in a dim design that flickers like the fires of hell against Lacey Anzelc's Gothic dungeonesque set of rough stones.

Philippe Brenninkmeyer plays the complex Zastrozzi with an icy elegance that cracks with the winds of passion or vulnerability. Zastrozzi's fascinating and murderous mandate is that we must all be accountable. Since there is no God, everyone can be accountable to him.

He's complimented by sensuous Anna Khaja, a Noho Angelina Jolie, as the murderous Matilda who has a wicked way with a rapier and an even wickeder one with a bullwhip.
br> At the performance viewed Alex Robert Holmes played Verezzi as a deranged visionary whose madness may have the method of self-preservation, bringing out the humor in the play with bright vapidity. Bob Morrisey is a ruminative Victor, the ex-priest who is hi tutor. Drak Simpson is a hulking Bernardo, Zastrossi's assistant, and Holly Persell primly plays Julia, the teen-age virgin. The play, originally set in 1893, has been updated to 1948 Vienna and, even in Harry Lime's time, virgins wore demure masks then.

Zastrozzi's inspiration has trickled down to everything from the philosopher Nietsche to Humphrey Bogart movies. A fascinating and provocative study of the nature of evil, religion, obsession and sexuality that can be enjoyed on many levels.

ZASTROZZI
Playwright: George F. Walker, from a novel by Percy Byshe Shelley
Director: Sara Botsford and Christopher Brown
Cast: Philippe Brenninkmeyer (Zastrozzi), Anna Khaja (Matilda), Alex Robert Holmes, Hans Longo (alternates) Verezzi, Bob Morrisey (Victor), Holly Persell (Julia), Drake Simpson (Bernardo)
Scenic Design: Lacey Anzelc
Lighting Design: Luke Moyer
Costume Design: Curtis C
Fight Choreography: Victor Warren, assistant Patricia Tallman
Sound Design: Jonathan Zenz
Hair & Wig Design: Diane Martinous
Vocal Coach: Ann Stocking
Assistant Director/Stage Manager: Tara Lynn Orr
Production Stage Manager: Billie Puyear
Running Time: Two and a half hours, one intermission
Running Dates: July 18-August 24, 2008
Where: Noho Arts Center, 11136 Magnolia Blvd, North Hollywood. Reservations: (818) 508-7101.
Reviewed by Laura Hitchcock on July 19.
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