CurtainUp
CurtainUp

The Internet Theater Magazine of Reviews, Features, Annotated Listings
www.curtainup.com


HOME PAGE

SITE GUIDE


REVIEWS

FEATURES

NEWS
Etcetera and
Short Term Listings


LISTINGS
Broadway
Off-Broadway

NYC Restaurants

BOOKS and CDs

OTHER PLACES
Berkshires
London
California
DC
Philadelphia
Elsewhere

QUOTES

On TKTS

PLAYWRIGHTS' ALBUMS

LETTERS TO EDITOR

FILM

LINKS

MISCELLANEOUS
Free Updates
Masthead
A CurtainUp Los Angeles Review
Sweet Charity


Who dances? We defend ourselves to music. --- Nikki to aspiring Dance Hall Hostess.


Sweet Charity
Molly Ringwald as Charity Hope Valentine and Guy Adkins as Oscar Lindquist
Although this revival carefully keeps its costumes era-neutral, it’s a story steeped in the mores of 1956 when its source material, Nights of Cabiria, Federico Fellini’s Italian film masterpiece, was made. Bob Fosse, Neil Simon and Peter Stone found a natural musical in its simple emotionality and set it to music by Cy Coleman with lyrics by Dorothy Fields. The prostitutes were thinly disguised as dance hall hostesses, so thinly that Oscar, Charity’s love interest, saw through them in a minute, bringing Charity’s dreams and the final curtain crashing down.

Sweet Charity debuted with Gwen Verdon, hit the screen with Shirley MacLaine and was revived last year on Broadway with Christina Applegate, Denis O’Hare and Wayne Cilento’s new choreography. Molly Ringwald plays Charity in the touring production now at the Pantages. She’s not a belter and that’s missed, particularly in the closing anthem, but her voice has a sweetness and more strength than we knew. She’s not a dancer and that slows down the numbers she’s in, such as "There’s Gotta Be Something Better Than This. " A tendency to mince along like a two-year-old which is a cliché actresses in this type of role often use should be nipped in the bud. It’s not a dazzling performance but it’s earnest (a nice quality for Charity) and plays well with Guy Adkins, who's shy earnestness personified as Oscar. He’s also very funny with a comic rubber physicality put to particularly good use in the elevator scene. He has a long neck that becomes a character trait in itself. Also outstanding were Kisha Howard as hostess Helene, whose singing and dancing chops would make a lovely Charity, and the big tenor voice of Richard Ruiz as Herman, the dance hall boss.

Charity Hope Valentine meets many men in her search for her prince, beginning with a gorgous Italian movie star, Vittorio Vidal, played with gliding unctuousness by Aaron Ramey and companioned by his beloved and counterpart, Ursula, a sexy Angel Reda. Oscar takes Charity to his "church", a soul service led by Daddy Johann Sebasian Brubeck, a black man with big hair (David Glaspie), who combines soul with jazz in a no holds barred performance.

Cilento’s choreography is sharp-angled and pugilistic. It seems less poignant and passionate than Fosse’s but it works and Scott Faris keeps Walter Bobbie’s 2005 production galloping along. William Ivey Long’s colorful costumes, majoring in coral tones against which Charity’s one red dress stands out, are a trip. Scott Pask’s scenic design has a long low 1950s feel.

It’s a pleasure to hear the wonderful score again. Even though the concept is dated, we forget Molly is Molly and feel Charity’s pain.

For a review of the Broadway revival which includes a song list go here.

SWEET CHARITY
Playwright: Book by Neil Simon, Music by Cy Coleman, Lyrics by Dorothy Fields, based on an original screenplay be Federico Fellini, Tullio Pinelli and Ennio Flaiano
Director: Scott Faris
Choreography: Wyne Cilento Music Director/Conductor: Ross Scott Rawlings
Cast: Molly Ringwald (Charity Hope Valentine), Charlie (Adam Perry), Policeman, Waiter, 92nd Street Y Receptionist, Manfred (Ben Cameron), Nickie (Amanda Watkins), Helene (Kisha Howard), Herman (Richard Ruiz), Ursula (Angel Reda), Vittorio Vidal (Aaron Ramey), Oscar (Guy Adkins), Daddy Brubeck (David Glaspie), Frug Dancer (Nova Bergeron)
Set Design: Scott Pask
Lighting Design: David Grill
Costume Design: William Ivey Long
Sound Design: Peter Hylenski
Hair & Make-Up Design: Bernie Ardia
Running Time: Two and a half hours, one intermission
Running Dates: October 11-22, 2006
Where:..The Pantages Theatre, 6233 Hollywood Blvd, Los Angeles. Reservations: (213) 365-3500.
Reviewed by Laura Hitchcock on October 11.
broadway musicals: the 101 greatest shows of all time
Easy-on-the budget super gift for yourself and your musical loving friends. Tons of gorgeous pictures.


Leonard Maltin's Classic Movie Guide
Leonard Maltin's 2007 Movie Guide


At This Theater Cover
At This Theater


broadwaynewyork.com


The Broadway Theatre Archive>


amazon



©Copyright 2006, Elyse Sommer.
Information from this site may not be reproduced in print or online without specific permission from esommer@curtainup.com