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A CurtainUp Review
Purlie
by Ariana Mufson
The story breaks into song whenever it gets the chance with a knock out opening which showcases the entire cast. After a prologue, we are introduced to Purlie Victorious Judson who has returned home to the cotton plantation of Ol' Cap'n Cotchipee, deep in south Georgia. The time is the early 1960s, and segregation and indentured servitude is still rampant. Purlie has come to stop the Cap'n from cheating his black workers and to collect the money owed to his cousin Bea. He brings along an ex-kitchen girl, Lutiebelle Gussie Mae Jenkins from Alabama, to impersonate his cousin so that she can collect from the Cap'n. The phenomenal ensemble brings the stage to life in the group numbers. It's hard to choose a favorite, though the opener "Walk Him Up the Stairs" stays with you long after the show has ended. Though the solo performers are up to the task of keeping the energy high, I occasionally almost wished to see the ensemble join in -- a testament to their talent. Jacques C. Smith (Purlie) and Paulette Ivory (Lutiebelle) own the stage when they sing and perform, especially in "New-Fangled Preacher Man" and "I Got Love." In "Down Home," a duet between Purlie and Aunt Missy, Smith and Loretta Devine bring down the house. Just as good are Gitlow Judson and the Field Hands in "Skinnin' a Cat", which sent the audience into hysterics. Gitlow (Harrison White) and Aunt Missy Judson (Loretta Devine) hit every comic note and avoid caricature by imbuing their over the top characters with emotion and subtext. Also noteworthy are Billy Gill as Cap'n Cotchipee's mild mannered and slavery hating son, as well as Cap'n Cotchipee's cook, Idella Landy (E. Faye Butler, a genius of comic timing). The opening of the second act is more somber than the first as the Field Hands go to work in "First Thing Monday Morning." The ensemble again shines. Though there are fewer stand out numbers, the second act ends on a high note with a reprise of the jovial "Walk Him up the Stairs." The set and choreography are perfect, bringing the players close and giving the show an intimate feel. Director Epps keeps the jokes and insinuations timely. He presses us to question integration, whether in the 1960s or today. Despite the stereotypes incorporated in order to turn them on their head, Epps has created an atmosphere that lets the diverse audience join together to laugh at the absurdity of slavery and segregation. This is not a stodgy musical but a show that makes you feel as if you are in a gospel church where you are encouraged to let loose and join in. Purlie provides a a wonderful opportunity to visit the Pasadena Playhouse, especially now that it's been extended into August. The singers never hit a sour note, and the catchy tunes will stay in your head long after the curtain has come down.
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Easy-on-the budget super gift for yourself and your musical loving friends. Tons of gorgeous pictures. Retold by Tina Packer of Shakespeare & Co. Click image to buy. Our Review At This Theater Leonard Maltin's 2005 Movie Guide Ridiculous!The Theatrical Life & Times of Charles Ludlam 6, 500 Comparative Phrases including 800 Shakespearean Metaphors by CurtainUp's editor. Click image to buy. Go here for details and larger image. |