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A CurtainUp Review
Purlie

by Ariana Mufson

Make way for a new-fangled preacher man!
Ain't gonna promise no cherry and rye/
No glorious life on that great other side/
I got a different message to spread/
How bout some glory days before we are dead?

-- Purlie in "New-Fangled Preacher Man"
.
Purlie
The title character and cast members in "Walk Him Up The Stairs"
(Photo: Craig Schwartz)
Though a play about racism and race relations in the 1960s could seem outdated, Sheldon Epps delivers the glory in this marvelous revival of Purlie, which debuted on Broadway in 1970, winning both Tony and Grammy awards. Based on the play Purlie Victorious by Ossie Davis, this is a musical comedy with gospel and blues rhythms that will have you dancing in your seat and clapping to the beat -- which is encouraged during many of the numbers. Epps has assembled a stellar cast so that solo and ensemble numbers alike keep the audience riveted and elated.

The story breaks into song whenever it gets the chance with a knock out opening which showcases the entire cast. After a prologue, we are introduced to Purlie Victorious Judson who has returned home to the cotton plantation of Ol' Cap'n Cotchipee, deep in south Georgia. The time is the early 1960s, and segregation and indentured servitude is still rampant.

Purlie has come to stop the Cap'n from cheating his black workers and to collect the money owed to his cousin Bea. He brings along an ex-kitchen girl, Lutiebelle Gussie Mae Jenkins from Alabama, to impersonate his cousin so that she can collect from the Cap'n.

The phenomenal ensemble brings the stage to life in the group numbers. It's hard to choose a favorite, though the opener "Walk Him Up the Stairs" stays with you long after the show has ended. Though the solo performers are up to the task of keeping the energy high, I occasionally almost wished to see the ensemble join in -- a testament to their talent.

Jacques C. Smith (Purlie) and Paulette Ivory (Lutiebelle) own the stage when they sing and perform, especially in "New-Fangled Preacher Man" and "I Got Love." In "Down Home," a duet between Purlie and Aunt Missy, Smith and Loretta Devine bring down the house. Just as good are Gitlow Judson and the Field Hands in "Skinnin' a Cat", which sent the audience into hysterics. Gitlow (Harrison White) and Aunt Missy Judson (Loretta Devine) hit every comic note and avoid caricature by imbuing their over the top characters with emotion and subtext. Also noteworthy are Billy Gill as Cap'n Cotchipee's mild mannered and slavery hating son, as well as Cap'n Cotchipee's cook, Idella Landy (E. Faye Butler, a genius of comic timing).

The opening of the second act is more somber than the first as the Field Hands go to work in "First Thing Monday Morning." The ensemble again shines. Though there are fewer stand out numbers, the second act ends on a high note with a reprise of the jovial "Walk Him up the Stairs."

The set and choreography are perfect, bringing the players close and giving the show an intimate feel. Director Epps keeps the jokes and insinuations timely. He presses us to question integration, whether in the 1960s or today. Despite the stereotypes incorporated in order to turn them on their head, Epps has created an atmosphere that lets the diverse audience join together to laugh at the absurdity of slavery and segregation. This is not a stodgy musical but a show that makes you feel as if you are in a gospel church where you are encouraged to let loose and join in.

Purlie provides a a wonderful opportunity to visit the Pasadena Playhouse, especially now that it's been extended into August. The singers never hit a sour note, and the catchy tunes will stay in your head long after the curtain has come down.

PURLIE
Music By: Gary Geld
Lyrics By: Peter Udell
Book By: Ossie Davis, Philip Rose, and Peter Udell
Based upon the play PURLIE VICTORIOUS by Ossie Davis
Director: Sheldon Epps
Cast: Jacques C. Smith, Paulette Ivory, Loretta Devine, E. Faye Butler, Billy Gill, Lyle Kanouse, Harrison White with Sean Blake, Melanie Collins, Rachel Montez Collins, Ronnie Duncan, Derric Harris, Edwin Henry, Danielle Hobbs, Sara Beth Lane, Rocklin Thompson, Timothy Ware, Lisa Nicole Wilkerson, and Byron Glenn Willis
Set Design: James Leonard Joy
Costume Design: Paul Tazewell
Lighting Design: Allen Lee Hughes
Sound Design: Frederick W. Boot
Running Time: 2 hours and 30 minutes, with a 10 minute intermission
Dates: From 6/24/05 just extended to 8/7/05
Pasadena Playhouse, 39 South El Molino Ave., Pasadena, CA 91101
Tickets: $37-$53. Performance times: Tuesdays through Fridays at 8 p.m., Saturdays at 5 p.m. and 9 p.m, Sundays at 2 p.m. and 7 p.m. Wednesday Matinee performance July 20 at 2 p.m. For tickets call the Box Office at 626-356-PLAY or visit the website: www.pasadenaplayhouse.org Reviewed by Ariana Mufson on Sunday, July 10, 2005.

Musical Numbers
Act 1
Walk Him Up the Stairs
New Fangled Preacher Man
Skinnin' a Cat
Purlie
The Harder They Fall
Charlie's Songs
Big Fish, Little Fish
I Got Love
Great White Father
Reprise: Skinnin' a Cast
Down Home

Act 2
First Thing Monday Morning
He Can Do It
Reprise: The Harder They Fall
The World Is Comin' to a Start
Reprise: Walk Him Up the Stairs

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