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A CurtainUp Review
Encores! The Most Happy Fella
By Elyse Sommer
This is the biggest, most close to perfection Encores! production I've seen in a while: 38 strong in Rob Berman's on stage orchestra, and 38 in a cast bursting with talent. Shuler Hensley, Laura Benanti and Cheyenne Jackson are perfection — Hensley as Tony, the older Napa Valley farmer who "talks funny". . .Laura Benanti as the much younger waitress he calls Rosabella and woos with a picture of his handsome young foreman Joe. . .and Jackson as that handsome dude with whom Tony's Rosabella has a one night fling after the shock and disappointment of discovering who the real Tony is. (Contrived? Sure, but no more so and easier to believe than Indina Menzel finding herself in a similar fix despite a ticking biological clock in the newly minted musical If Then). These seasoned Broadway thespians lend glorious voices to this genre defying but gorgeous musical's challenging mix of opera arias and catchy golden era show tunes. The other key players are also standouts, especially Heidi Blickenstaff as Rosabella's feisty friend Cleo who delivers the delightful first song "Ooh! My Feet and Jessica Molaskey as Tony's possessive sister Marie who delivers the title song with Hensley. The catchy "Standing On the Corner" and "Abbondanza" are irresistible. But whether in operatic recitative numbers, in trios, quartets, duets, solos or full ensemble numbers, this is a melodic feast unlike anything currently on offer on Broadway. Thanks to director/choreographer Casey Nicholaw, who also choreographed long running super hit Book of Mormon and the recently opened Aladdin, this Most Happy Fella has more vibrant dancing than any other versions I've seen. The choreography is especially impressive, consider that these large ensemble numbers work beautifully on the relatively small footprint available given the band's traditional on stage position Loesser's best known show, Guys and Dolls never suffered from a genre identity crisis. Though The Most Happy Fella had a respectable premiere run of 676 performances on Broadway, revival attempts have been short lived. Given the successful recent revival of another operatic musical, Porgy and Bess, is a transfer of this production mere wishful thinking? I'd say, keep wishing, but don't miss out on seeing it now.
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