A CurtainUp Review
tick, tick. . .Boom!
Set in his apartment (nicely created by designer David Farley to include brick exterior walls and a rooftop that doubles as a home for the band) the titlerefers to the ticking clock in Jon's life just before he turns 30, a passage that marks his change from "young adult" to just plain adult. It's 1990, before his best-know work, Rent, premiered. Jon's song writing career hasn't taken off and he has all of his hopes pinned on an upcoming workshop of Superbia. His girlfriend, Susan (Pearl Sun) wants to leave the city and have a family (and a dishwasher). His best friend, Mike (Wilson Cruz), who "sold out" an acting career for the perks of corporate marketing, offers him an opportunity to follow suit. "What is real life?" Jon ponders, as he flirts with an actress starring in Superbia (Sun and Cruz assume the identities of Jon's agent, his parents and others in flashback-like scenes during Jon's narration). Is he missing his one chance for family and a normal life? How long should he wait for his big break? The questions become even more urgent when Mike reveals that he is dying and urges Jon to think about heading to New England with Susan. In the end, the composer's hero, Stephen Sondheim, helps point him in the right direction. Hanlon is engaging as the angst-filled composer trying to remain true to himself and his dreams and his strong vocals don't make us miss Raul Esparza, who originated the role off-Broadway, too much. The cast seems to be having a good time, especially when performing Christopher Gattelli's snappy and precise choreography. The singing voices of Cruz and Sun are less powerful and lack the oomph needed to carry over the rock music. Schwartz guides a solidly tight, engaging production, however, as though the show has matured with him through the years.
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