A CurtainUp London Review
Love, Love, Love
In 2010, we were starting to feel the impact of austerity measures from the Conservative government and we understood that new graduates were finding it difficult to get employment. But Love, Love, Love is about much more than the economic difficulties of that generation.
The Boomers were the young adults of the 1960s who genuinely believed that they would change the world. They were upwardly mobile, they had good professions and they encouraged their children to think that there were no limits to their dreams. So from the general to the particular characters of Mike Bartlett's play with the benefit of ten years' on, of insight.
Nicholas Burns in 1967 is Kenneth in his first year at Oxford staying with his brother Harry (Patrick Knowles) in London. Harry has met Sandra (Rachel Stirling) another Oxford undergraduate, a beautiful potential girlfriend, who is slightly wild, sexually permissive and smokes weed. Harry is the odd one out of this three, in full time work, rather than in higher education.
In the second act, we are in 1990's Reading where Kenneth and Sandra have been married a couple of decades and their children, Rose (Isabella Laughland) and Jamie (Mike Noble) are 16 and 14 respectively. Sandra seems to be spending too much time at work arousing her husband Ken's suspicions about infidelity and the children are feeling they do not have enough of their parents' time and attention.
Someone was meant to look after Jamie and also make it to the school where Rose was performing on her violin. Sandra was late. The children feel justifiably that their parents drink too much alcohol. The ennui which Rose expresses about her parenting is summed up in one sentence, "I've heard this story so many times." This contrasts with the not thought out way in which the divorce is sprung on everyone at the end of this act.
In the final act, set in 2011, the family come together for a funeral and Rose expresses her request that her parents should buy her a house. Here she represents the feelings of that generation who cannot afford to get on the property ladder. Bright and privately educated she has chosen, with her parents' encouragement a job as a violinist. The work is erratic and the pay is minimal and it doesn't make her happy.
The parents split up when Jamie and Rose were vulnerable teenagers and in 2011 Jamie is the saddest at 35 unable to look up from his cell phone to converse with anyone. Ken insists that Jamie is ok which he patently isn't.
The performances director Rachel O'Riordan gets from her cast are believable. Rachel Stirling as long haired hippy to pencil thin suited in her sixties and Nicholas Burns as long haired student ages with credibility. They flirt in the first act, bicker in the second and almost make up in the third. Isabella Laughland deserves special mention for a heartfelt performance in both of her acts as their daughter.
In Love, Love, Love Rose represents the current generation of millennials, born later than Jamie and Rose, who reached adulthood in the 21st century and who feel not only have their parents had the benefits of economic security, they haven't paid enough attention to environmental issues. In all fairness to Bartlett Love, Love< Love was a companion piece to the environmental, climate change play Earthquakes in London( review here).
You may also like to see what I wrote about Love, Love, Love on seeing it in 2012 go here
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Love, Love, Love
Written by Mike Bartlett
Directed by Rachel O'Riordan
Starring: Nicholas Burns, Rachel Stirling, Patrick Knowles, Isabella Laughland, Mike Noble
Designer: Joanna Scotcher
Lighting Design: Paul Keogan
Sound Design and Composition: Simon Slater
Fight Director: Bret Yount
Running time: Two hours 30 minutes with two intervals
Box Office: 020 8741 6850
Booking to 4th April 2020
Reviewed by Lizzie Loveridge based on 11th March 2020 at the Lyric Theatre Hammersmith, Lyric Square, King Street, London W6 0QL (Tube: Hammersmith)
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