A CurtainUp Review
A Night with Janis Joplin
The good news is that Davies is sensational and transcends the obligatory razzle-dazzle. The applause, screams, shouts and whistles that welcome the singer will be heard again and again during this searing biographical concert, earnestly written and smartly directed by Randy Johnson. Asit turns out, it is more than a night with just Davies as Joplin. She has some extraordinary support from four super singers — Taprena Michelle Augustine, De'Adre Aziza, Allison Blackwell, Nikki Kimbrough. Billed as The Joplinaires they not only do back up but also get their own individual spotlight to evoke such late great ladies of jazz as Bessie Smith, Nina Simone, Odetta, Aretha Franklin and Etta James, The Chantels and a Blues Singer. The Joplinaires are gorgeously gowned by costume designer Amy Clark. In contrast, Davies keeps it cool and comfortable throughout in various versions of embroidered jeans and the musicall influences behind Joplin's style that add something very special to this show. A Blues Woman rapturously sings the operatic aria "Summertime" only to be effectively followed with Joplin's own famously deconstructed version. Aziza brings Odetta to life with "Down On Me." Augustine channels Bessie Smith with "Nobody Knows When You Are Down and Out," and the Joplinaires have The Chantels down pat with "Maybe." I was particularly disarmed by the cleverly arranged duets between Joplin and Etta James and Nina Simone among other combinations of the singers that comprise a healthy portion of the show. It is Joplin's repertoire of twenty-three songs, many of them recognizable as anthems such as "Cry Baby," "Piece of My Heart," "Try (Just a Little Bit Harder)" that grasp the ecstasy and the agony that is always discernible in Davies' raspy but always resonant voice. At the center of this production which is presumably set during a road gig for Joplin and her band, is the predominantly up-beat narrative that is threaded between her songs. Joplin also finds the right spots for some swift swigs straight from the bottle. This back story also brings those who know and those who don't know back to the Joplin's roots, as family photographs, paintings and drawings are projected. The narrative, however, leaves out any indications of her addiction, or any of the demons that took possession of her personality. Many fans will undoubtedly recall Love, Janis ( Curtainup review), a fine, but less gussied-up homage to Joplin that played Off Broadway in 2001. In that production three singers alternated the title role. Two singers will alternate for this new homage which has already played a number of regional houses. My review is based on the performance by Davies (who incidentally played Joplin in the touring production of Love, Janis). Kacee Clanton, the alternate Joplin received glowing notices during out-of-town engagements and will portray Joplin "at certain performances." Having an alternate is certainly understandable considering the demanding, hell-fired vocals that define Joplin's style. This show will undoubtedly bring back memories of the full flowering of rock n' roll during the psychedelic 1960s and one of its most iconic definers. It will also be appreciated by those with an interest in the history of jazz and its complicity in the evolution of rock. Ultimately A Night With Janis Joplin brings the ill-fated Joplin's musical legacy and her adoration of jazz into sharp focus. She was a woman in awe of the jazz-blues genre that was to be her inspiration, as she tells us, "After all, the blues is just a good woman feelin' bad." Afterthought: I wonder if those who see Davies as Joplin won't see just a glimmer of Bette Midler when she played a fictional character inspired by Joplin in the film The Rose. Davies is no imitator as anyone can see, but she perfectly embeds into the songs the impassioned intensity that marked Joplin. If marketed smartly, A Night with Janis Joplincould conceivably have broad-based appeal for a long run, although a better title might be The Divine Joplin with Divas of the Blues
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