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A CurtainUp London London Review
Donkey Heart


"All night an ambulance wailed in my soul." — Sasha
Donkey Heart
Emily Bruni as Natalya and Alex Large as Thomas (Photo: Robert Workman)
Returning to The Old Red Lion, the venue that gave his sister Nina Raine her first production with the play Rabbit, Moses Raine has written this remarkable new play about people living in Moscow today. If Chekhov had been writing today, maybe the family subject of Donkey Heart is something he would have written about. The Russian angst is there, the three act opera before lunch. Three generations of the same family live in this small flat, each generation illustrating the privations of living in Russia under various regimes.

The grandfather Alexander (Patrick Godfrey) has lived under the worst excesses of Stalinism and remembers when they had to share accommodation with people who weren't members of their family. "I ate the buttons from my coat," he says, harking back to days of hunger. The saucepan lids were chained and padlocked onto the pans to preserve the contents. No wonder he reacts strongly when English visitor Thomas (Alex Large) comes in wearing a red football shirt with the letters CCCP emblazoned on it.

Raine's Russian family are all of interest. Wendy Nottingham's anorexic and anxiously depressive mother, Zhenya watching her disintegrating marriage to secretive and hot tempered Ivan (Pail Wyett). Their children, Petya (James Musgrave) trying to avoid the draft after dropping out of college and caught in a stormy on-off teenage relationship with the flamboyant Clara (Georgia Henshaw); Sasha (Lisa Diveney) who imagines she's in love with a Frenchman she hasn't seen for five years and the youngest, Kolya (Pierre Atri/Albie Marber) who is still at school. Into this household comes Thomas from England with his cross cultural perspective and someone from Ivan's office, Natalia, the daughter of a family friend (Emily Bruni).

Nina Raine is directing and to clarify when they are speaking Russian, it is spoken with no accent but when speaking English to Thomas, they have heavy Russian accents. The performances are outstanding, especially Emily Bruni's conflicted lodger and Patrick Godfrey's wise grandfather but there isn't a weak role here.

Like Chekhov, there is lots to laugh at, especially at the rather earnest but ridiculous conversation Thomas and Sasha have as Thomas courts her, and the boisterous excesses of Clara and Petya's histrionics. Set in a crowded and dowdy sitting room which doubles as the visitor's bedroom, space and privacy are at a premium. Is the television turned up when taking a telephone call to hide the conversation from the KGB or for a reason nearer home?

Donkey Heart makes me want to see more written by the talented Raine family and will put The Old Red Lion on my list of fringe venues well worth a visit. How many generations will it take for suspicion to be lifted, for spying to cease to be the norm in the pressure cooker of Russian society, whether for political reasons or something else? Will contentment ever replace dissatisfaction with Russian opportunity?

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Donkey Heart
Written by Moses Raine
Directed by Nina Raine

Starring: Emily Bruni, Patrick Godfrey, Paul Wyett, James Musgrave, Alex Large, Lisa Diveney
With: Georgia Henshaw, Wendy Nottingham, Pierre Atri/Albie Marber
Designed by James Turner
Lighting: Peter Mumford
Sound: Alex Caplan
Running time: Two hours 10 minutes with one interval
Box Office: 0207 837 7816
Booking to 31st May 2014
Reviewed by Lizzie Loveridge based on 9th May 2014 performance at the Old Red Lion Theatre, 418 St John Street?London EC1V 4NJ (Tube: Angel, Islington)
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