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UPDATED TWICE MONTHLY--current columns can he found here.
by Rich See and Dolores W. Gregory
DC CONNECTIONS
CurtainUp's DC Annotated Address Book Interactive DC Theater Schedule Ticketplace Half-Price Tickets |
December 23, 2006.
The Boys from Syracuse -- A Must See!
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Originally written and produced in 1938, the show was conceived at the end of one theatrical era and the cusp of another, thus its music is more modern (40's and 50's), while its storyline and humor are burlesque and Vaudeville in nature, with a line of Shakespeare thrown in.
Dan Knetchtges' choreography harkens to the golden age of stage and film musicals. David Zinn's costumes meld the styles of the 30's with the togas of the 50's. Christopher Akerlind's lighting uses a variety of palettes to achieve various effects. And Allen Moyer's set is a cartoonish, Disney-like novelty of Ancient Greece with the orchestra tossed into a centrer stage lion's pit. The entire energy of the performance feels like the director, designers and cast said "Let's go out on limb and be as fun and wacky as we can." And this free-for-all production shows it with the two and a half hour time flying by very quickly.
The entire cast stands out, but a few members who have songs which nicely showcase their vocal ranges are: Stephen Valahovic as the Sergeant (big muscles, bigger voice); Charlie Parker as the angry and ignored Luce; Charlotte Cohn as Adriana, disheartened wife of Antipholus of Ephesus; Blair Ross as the slinky Madame Courtesan; Michael Winther as Dromio of Syracuse; and Manu Narayan as Antipholus of Syracuse.
A definite treat for audiences in both Baltimore and Washington, The Boys form Syracuse runs through January 14th in the theatre's Pearlstone space. For information or tickets call 410-332-0033 or visit org www.centerstage.org.
Noises Off -- A Laugh Fest
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Director Jonathan Munby has crafted a well-timed comedy with his energetic cast. Everyone is running up and down Alexander Dodge's two-story, Tudor style set as real estate meet tax evasion and afternoon dalliances at a quintessential English country home. Linda Cho's costumes are everyday wear and Lindsay Jones' original music and sound design is all pomp and circumstance, which belies the fact that the company is, as one of the characters states in a Freudien slip, "on its last legs."
Shining in their roles, the ensemble works well together. James Gale is the imperious director Lloyd Dallas having affairs with both his stage manager Poppy (played with put-upon meekness by Susan Lynskey) and his dimwitted, ingénue Brooke ( Amelia McClain). Helen Carey is the ever-forgetful Dotty Otley who's perpetually confused by having to juggle sardines, newspapers, phone receivers and dialogue, while Lynnda Ferguson is the ever thoughtful, always gossiping Belinda Blair. Stephen Schnetzer and Stephen Schmidt are the befuddled leading men, Garry Lejeune and Frederick Fellowes, who become arch rivals. And Jay Russell as put-upon tech director Tim and Robert Prosky as the drunken, old timer Selsdon Mowbray add comedic effect.
For a CurtainUp review of several productions visit http://www.curtainup.com/noisesofflond.html otherwise catch the show before it closes January 28th, by visiting www.arenastage.org or calling 202-488-3300. It is definitely a mid-winter bright spot.
Recent Discovery...
The Library of Congress is hosting a reading of playwright Guy Bolton's comedy, Mammon on Monday, January 8th. The manuscript, which was recently found in the Library's collection, will be performed by members of the Actors' Center of Arlington. The readings will occur at 12.30 pm and 7 pm at the Mary Pickford Theater. Reservations can be made by calling (202) 707-1090. For more information on the Library's calendar of events visit http://www.loc.gov/loc/events/index.php.
More theatre in Baltimore...
Performance Workshop Theatre, which is a non-profit professional theatre company and theatre arts training school, will be presenting the second half of their season with:
The Jewish Wife and the Informer by Bertolt Brecht -- March 9-April 1, 2007
Philadelphia, Here I Come! by Brian Friel -- May 4-June 3, 2007
For further information and reservations call them at 410-659-7830 or visit their website www.performanceworkshoptheatre.org.
Tea at Two...
Inspired by the life of King David (of David and Goliath fame), Theater J has an upcoming reading of David In Shadow and Light by Yehuda Hyman. The book and lyrics are by Hyman, the klezmer music is by Daniel Hoffman. The reading is part of Theater J's new play development initiative and will be held at 2 pm on Friday, January 26th. For more info go to http://www.washingtondcjcc.org/arts/theaterj/readings.php. Cookies and tea will be served!
Gateway Arts District...
PG County...oops, they prefer Prince George's County... has a new professional theatre company in residence. Active Cultures Theatre will be presenting Hansel and Gretel Eat Crabs from January 25-February 11, 2007. The musical is inspired by Engelbert Humperdinck's opera (the composer, not the pop singer's) Hansel and Gretel. The play is described as "One magic-laden night on the Western Shore of the Chesapeake Bay, two young girls become lost in the wetlands. A musical fantasy of beauty, abandonment, cannibalism, triumph and a parent's worst fears." Maybe it has a happy ending, maybe it don't. Performances will take place at the New Joe's Movement Emporium in Mount Rainier, MD. For more information and to purchase tickets visit www.activecultures.org.
Signature's doors are about to open...
A friend had an advance peek and said the space is wonderful. The rest of us will be able to take a look on Saturday and Sunday, January 13th & 14th. Artistic Director Eric Schaeffer and his staff have a whole weekend of free events scheduled to celebrate their new home at Shirlington Town Center. Festivities will include building tours, kids activities, refreshments (free food always brings 'em in), contests, concerts, cabarets, master classes, play readings, an advance performance of Signature's upcoming Into The Woods and "Star of Stage and Stage" Latino drag queen La Contessa doing her NYC variety show. For more information and to check schedule changes and ticket policies visit www.signature-theatre.org.
December 17, 2006..
She Loves Me -- A definite treat for the ears!
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She Loves Me's relevance to today's audiences (even more than in 1993) is almost ironic and shows how very little the search for romance has changed. Lovers Georg and Amalia have never seen each other, but write weekly love letters describing themselves and their lives. (Chat rooms, email, webcams, online dating...) From these written notes they have fallen madly in love with each other, not thinking that either could be exaggerating their lives just a teensy bit. (You're not 6' 2"...your 5' 4"...) Thus when they unknowingly meet and begin working with each other on a daily basis, they actually can't tolerate being in the same room. (He didn't come across at all like his emails...) So while the show may seem quaint and cute, in fact the only thing that has changed is the way the (e)mail is delivered.
Director Donnelly has developed a production that keeps a feeling of intimacy even on Arena's large circular stage. With the actors changing the scenes, cosmetics booths rising out of the floor and a wonderful dance number in Act Two, She Loves Me floats along like a well orchestrated waltz. The only weak point is the hospital scene, which drags due to the writing, and could be pumped up a bit by simply utilizing the whole stage and incorporating a mild dance number with the hospital bed.
As Georg and Amalia, Kevin Kraft and Brynn O'Malley are a fun pair of star-crossed lovers, whose slow discovery of each other is enjoyable to watch unfold. Clifton Guterman as delivery boy Arpad Laszlo provides some innocent humor. Sebastian La Cause is the perfect cad as ladies' man Steven Kodaly. Jim Corti excels in his big number "Perspective," while Nancy Lemenager is a treat as not too bright Ilona Ritter, who eventually discovers love in the stacks at the library. J. Fred Shiffman and Roger Rosen as the battling Head Waiter and Bus Boy make "A Romantic Atmosphere" a crowd pleaser (as does Kenneth Lee Roberson's choreography).
She Loves Me is an interesting juxtaposition against Arena's recent Cabaret success. Both books were written by Joe Masteroff and while Cabaret is all darkness with undertones of impending Holocaust, She Loves Me comes across as light and airy -- a fact that belies what was actually happening in the country at the time. (Hungary was the first country to impose anti-Semitic laws in the 1920's, which became even harsher during the 1930's. Towards the end of the decade its government joined forces with Nazi Germany and an estimated 400,000 Hungarian Jews were exterminated before the country was annihilated by the both the German and Soviet militaries.) So as you enjoy this happy lark, put it alongside Cabaret and you start to see two sides of co-existing world realities.
Ultimately though, with its Christmas air, happy ending and inspired choreography, She Loves Me is a show to share with your own "Dear Friend." Playing until December 31st, you can purchase tickets at www.arenastage.org.
Four Shows in Four Days...
Landless Theatre has taken over the Tivoli Theatre for a week of Christmas mirth. The company will be performing four different plays over the next week. They've titled their endeavor "Holidaze" and plan to include: A Christmas Story -- yes, that movie about bb guns and putting your eye out
The Brothers Grimm's Excellent Adventure -- a kid's show with a Landless slant
Cannibal! The Musical -- they are planning on raffling off reindeer meat (I'm unsure which is more appalling: a musical about cannibals or eating Rudolph. You decide.)
Frozty the Abominable Snowman -- this one is not recommended for children under 14!
For all the details visit www.landlesstheatre.org.
Want to give a really fabulous gift?
CENTERSTAGE in Baltimore is offering gifters the chance to go for the Christmas impression with some unique ideas they are labeling as "Complete Theatre Experiences." The idea is that a show is just one part of an evening or day-long extravaganza. So you can get a Date In A Box (no blow up dolls, just theatre tickets and beer) to more outgoing things like Urban Wilderness Family Adventures, Romantic Weekends or Time Travel Theater Parties (which is on my wish list). See giftshop.centerstage.org to find out more.
Call-in theatre...
As part of the 365 Plays/365 Days Festival, American Century Theater is offering a unique take on the project. Starting Monday, December 18th, and running all week, you can call in to a special toll-free number and hear company members perform the seven plays that Suzan-Lori Parks wrote for this pre-holiday week. ACT decided to go with a live radio drama format to more fully capture the power of Parks' words. If you want to recreate that old-time radio feel, just invite some friends over and put the call on speaker phone. The broadcasts are only thirty minutes, but please note, the conference calls only handle 200 listeners at a time. Maybe ACT will put the shows on podcast for those of us who miss them. For phone number and PIN, head over to www.americancentury.org/365_announcement.html.
Personnel changes...
ATW has announced the departure of Associate Artistic Director Matty Griffiths and the addition of Lee Mikeska Gardner as the company's Managing Director. Rick Hammerly will be joining the group as Associate Artistic Director and Artistic Director of ATWout! For the company's upcoming performance schedule visit www.atwdc.org.
A gift that keeps on giving...
If you are still looking for that perfect gift for the theatre or dance buff on your list, perhaps try www.broadwaycares.org and pick them up a calendar that supports the fight against AIDS. Broadway Cares is once again offering their annual Broadway Bares calendar, the Broadway Musicals calendar, and the Angel Corella and the Men and Women of American Ballet Theater calendar. If wall calendars aren't your giftee's thing, then try the Broadway Cares/Equity Fights AIDS Day Planner and Pen. Maybe they'll do a Broadway Bares pen that strips as you tip it upside down...
Back to the future...
If you enjoyed Scena Theatre's The War of the Worlds then you might also enjoy Sound Incentive's program offerings. Dedicated to the art form of the radio play, Sound Incentive is using local actors to bring to life those classics from yesteryear. Their next live show is scheduled for April 2007 and will be Can I Sit on Your Lap... Before I Make You Dinner?. They also seem to be planning to offer podcasts of the performances, so if you miss the live "broadcasts" you may be able to download the shows onto your iPod. You can check them out at www.soundincentive.org.
Season Change...
Vpstart Crow Productions (which is pronounced "upstart") has changed their July 2007 show from The Imaginary Invalid to The Wonderful Adventures of Don Quixote, which is adapted by Conrad Seiler from the novel by Miguel de Cervantes. For more info on the company's season and their newly announced listing of directors, go to www.vpstartcrow.com.
November 15, 2006.
A couple of shows on the radar...
Monster...a compelling take on a classic.
Columbia Height's resident theatre group is mounting Neal Bell's Monster through November 26th. For anyone who saw Synetic's version earlier in the season, this one is a nice balance. Showcasing more modern language and a more human-size Creature, Rorschach's production flows smoothly and sticks to the original story with a few adaptations that suit the company's small performance space. Bell's writing takes a much more realistic examination of the Frankenstein myth by creating a Creature who is an average size human with great strength yet smells of rotting flesh. He also explores an interesting dimension in the idea that death is our true "home." In this instance, Victor Frankenstein becomes a man obsessed with the fear of his own death. Thus Monster is a nice language play that balances the tragedy and horror with some witty comedy.
Director Randy Baker keeps the action moving swiftly as cast members run throughout the space and the drama builds to the fateful climax. Debra Kim Sivigny's utilitarian set design is a series of scaled wood platforms with hanging curtains that mixes well with David C. Ghatan's lighting design. Highlights in the cast are Robert Rector who does a wonderful job as the avenging Creature, Jeremy Goren's portrayal of the obsessed Victor Frankenstein, Tiernan Madorno's sarcastic take on the housemaid Justine and Ryan Nealy's rambunctious and bouncing depiction of little brother William. Monster is playing at The Sanctuary Theatre on Columbia Road; tickets can be purchased by calling 1-800-494-TIXS or by visiting www.rorschachtheatre.com.
Fatal Attraction...great idea, but the delivery is so-so.
Over at 14th Street's Source Theatre, the Actor's Theatre of Washington (ATW) is presenting a late-night spoof of the cult favorite Fatal Attraction. While you have to applaud the company's inspiration and effort, its finished product needs some work. The show runs 80 minutes, of which it seems 30 minutes is devoted to set changes. Written by Alana McNair and Kate Wilkinson, Fatal Attraction adapts the film with a Greek chorus to present this spoof as a tragedy. The effort doesn't entirely work, as the Greek ensemble simply takes away from the actual story. However, the playwrights excel when it comes to pulling out the campy humor within the movie and mixing it with family dysfunction and celebrity/star hubris. It's at these times that Fatal Attraction comes alive and moves quickly. However the constant scene changes (a bathtub plays prominently in every scene) really slow the production down and the opening sequence, which takes about ten minutes, is completely unnecessary.
Everyone in the cast seems to be having a good time. Kevin Boggs is a self-impressed Michael Douglas, while Katherine Deadman is an Anne Archer on the edge of a nervous breakdown. Mary C. Davis as Ellen Hamilton Latzen (the daughter in the original film) is an abused child thrilled to have a bunny -- until someone makes stew out of it. And director Matty Griffiths (billed as Milk Way) takes on the role of the "working woman" Glenn Close. The Greek chorus is Dallas Miller, Frank Britton, Paul Nalabandian and Lewis Sheridan Hughes. The show is running until November 25th and tickets can be purchased at http://www.atwdc.org.
An alternative to Ford's...
Starkit Productions presents The Farnsdale Avenue Housing Estate Townswomen's Guild Dramatic Society's production of A Christmas Carol. Billed as an alternative rendition of the Dickens' classic, Starkit promises this show is not a "drag" (hint, hint, wink, wink). The show is opening at Church Street Theatre and will run from December 7-31. Tickets can be purchased by calling 1-800-494-8497 or by visiting afunnychristmascarol.com.
Season Announcement...
Olney Theatre Center has announced their 2007 season, which runs from January through December:
The Constant Wife by W. Somerset Maugham -- February 14 through March 11, 2007
Eubie! conceived by Julianne Boyd, music by Eubie Blake -- March 28 through April 29, 2007
I Am My Own Wife by Doug Wright -- April 18 through May 20, 2007
13 Rue de L'Amour translated by Mawby Green and Ed Feilbert, based on a play by George Feydeau -- May 16 through June 10, 2007
Brooklyn Boy by Donald Margulies -- June 20 through July 29, 2007
The Tempest by William Shakespeare -- June 21 through July 1, 2007
Democracy by Michael Frayn -- July 18 through August 12, 2007
Of Mice and Men by John Steinbeck -- September 26 through October 21, 2007
Fiddler on the Roof book by Joseph Stein, music by Jerry Bock, lyrics by Sheldon Harnick -- November 14 through December 30, 2007
To purchase subscriptions go to www.olneytheatre.org.
Arena's reading series...
Here are the dates for Arena Stage's new play reading series. Each reading takes place at 7 pm. Tickets can be purchased by calling 202-488-3300 or by www.arenastage.org.
December 11, 2006 -- The Biography of a Constellation by Lila Rose Kaplan
February 12, 2007 -- Willing by Amy Herzog
March 12, 2007 -- Mary T. and Lizzie K. by Tazewell Thompson
April 16, 2007 -- Santa Ana by Eric Overmyer
May 14, 2007 -- Emilie and Voltaire...Were Here by Karen Zacarias
365 Days / 365 Plays...
The schedule has been announced for the DC arm of the 365 National Festival. The festival is running from November 13, 2006 until November 12, 2007. For an up-to-date schedule visit www.studiotheatre.org/365.
Irish theatre primer...
Solas Nua has announced its new play reading series -- "Solas at The Savory." The first Monday of every month the company will be presenting readings at the Savory Café at 7071 Carroll Avenue in Takoma Park, MD. The readings begin at 7 pm and the café can be reached via Metro's Red Line. For more details visit www.solasnua.org.
More Christmas Carols...
Ford's Theatre is offering $25 preview ticket prices to their annual holiday show. And, out in Manassas, Vpstart Crow will be presenting their Carol from December 1 through the 17. For ticket information visit www.fordstheatre.org and www.vpstartcrow.com.
Podcast...
American Century Theater has posted an interview with award-winning DC area theater lighting designer Ayun Fedorcha Simply visit www.americancentury.org and click on "New Podcast" and you can download it for your iPod.
Up in Baltimore...
CENTERSTAGE has announced its new play reading and workshop development initiative -- "First Look." Designed to bring the audience into the play development process, its first reading will take place on Friday, December 1st at 8 pm with These Shining Lives. Tickets are $5 and can be purchased online at www.centerstage.org or by calling the Box Office at 410-332-0033. Additional readings will occur on Mondays throughout the season and are currently scheduled for January 22nd, March 26th, and June 4th. "First Look: Special Edition" readings are scheduled for three consecutive weeks in late winter -- February 19th, February 26th, and March 5th. For more information visit www.centerstage.org.
"Say Goodnight Gracie..."
Local artist Alan DeValerio is bringing his one-man show to the Kreeger Auditorium at the Rockville JCC. An Evening With George Burns covers the comedians rise from vaudeville player to his meeting with Gracie Allen and onto his stardom as an octogenarian movie star. Tickets can be purchased by calling 1-866-811-4111. More information can be found at www.georgeburnsshow.com.
October 5, 2006.
Three highly recommended shows...
Cabaret...dark and brooding with a modern sensibility
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An Enemy of the People...incredibly modern and relevant!
Shakespeare Theatre Company's revival of Henrik Ibsen's classic about greed, mob mentality and the personal costs of speaking the truth when no one wants to hear it is another winner in the fall theatre season. As directed by Kjetil Bang-Hansen, An Enemy of the People is a travelogue for "Don't ask, don't tell." For a synopsis of the play's story go to http://www.curtainup.com/enemyofthepeople.html. Director Bang-Hansen's mounting provides a claustrophobic feeling as we realize the baths in question are all around us and the citizens in question are our own neighbors and fellow patrons. One can't sit through this play and not think of how similarly our own country has reacted to dissident voices about the Iraq War and "The War on Terrorism." It really just makes you see how history repeats itself over and over and over again. Timian Alsaker's set is a wonderful light-filled sitting room that looks out on -- the polluted baths. Sound designer Martin Desjardins' constant dripping of water is like the ticking of a bomb about to explode. Within the cast Joseph Urla is a wonderfully imperfect Dr. Thomas Stockmann, and Caitlin O'Connell is his equally imperfect wife who is not above letting a few people die to keep her family in clothes and food. Philip Goodwin's Peter Stockmann is a disturbing villain, while Robin Gammell steals the show as Thomas Stockmann's insane father-in-law who is happy to press Thomas into servitude. Running through October 22nd, you can purchase tickets at www.shakespearetheatre.org.
The Three Sisters
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Free Baltimore Theatre...
If you didn't get a ticket to DC's recent free theatre ticket give-away, then you might want to head up to Baltimore. "Free Fall Baltimore" is an arts celebration being hosted by the Baltimore Office of Promotion & The Arts (BOPA). Happening throughout October and November, you can find free and reduced tickets to a variety of cultural programs including the city's theatre companies. For more details check out www.freefallbaltimore.com.
A new play...
Also in Baltimore, CENTERSTAGE has announced the final play in its 2006-2007 season. Things of Dry Hours is by Naomi Wallace and will be happening April 28-June 3, 2007 in CENTERSTAGE'S Head Theater. Described as "an intoxicating blend of poetry, history, ideology, and romance," the play is about Depression era folks with dangerous secrets. Why does everyone in a play have a dangerous secret? Doesn't anyone have a simple, everyday secret like "I only floss three times a week."? To check out the show head over to www.centerstage.org.
You get a nice lapel pin too...
Woolly Mammoth has upped the networking social that most theatres have been doing for years. The company's new Club Woolly is a "membership opportunity" that provides ticket discounts, happy hours, meet-the-artists gatherings, backstage tours, invitations to rehearsals, networking and social opportunities and discounts to Woolly classes, as well as the theatre's bookstore and café. All for only $100 per person or $150 per couple. To sign up or to find out more go to http://www.woollymammoth.net.
Theatre at Flashpoint...
Flashpoint will be hosting a limited run production in November of a play titled Throat, which was recently mounted in NYC. According to the production's PR people, Throat is "...the story of Cesar Rodriguez, a Marine recently returned from Iraq, who escapes the bloody sands of a war torn country to confront a new reality on the streets of New York. Facing an unfulfilled-promise and a civilian life where his alcoholic therapist seems to be his best shot at love and normalcy, Cesar finds solace in his best friend and love struck pigeons in the park. A dangerous confrontation, an unsuccessful hook-up, and an explosive order: how do you learn to forgive yourself when you know it was your fault?" I go back to my thoughts on dangerous secrets... Throat will be running from November 1st through the 18th. For more information go to http://www.culturaldc.org/scene/flashpoint.html. Tickets can be purchased by calling 212-352-3101.
For holiday gift giving...
MetroStage has added a holiday show to its season. King of Cool: Nat King Cole, The Life The Man will feature Jimi Ray Malary who impressed audiences in the theatre's production of Ellington last season. Tickets are $35 and the cabaret-like show runs December 1-23, 2006. For more info or to purchase tickets go to www.metrostage.org/.
October 1, 2006
A few mini-reviews on current performances...
MacBird!...definite fun for both Democrats and Republicans
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Frankenstein...impressive and surprisingly human
Synetic Theatre's melding of dance and dramatics continues to be visually stunning and emotionally charging. Their adaptation of Mary Shelley's gothic horror classic sticks to the original's story line and brings a compelling humanity to The Creature. As usual, Irina Tsikurishvili's choreography is symbolic and easily understood. Paata Tsikurishvili's directing goes for a dark, brooding theme that suits the piece nicely. Within the cast Dan Istrate's Victor Frankenstein comes across as a man possessed by ego and hubris while Irakli Kavsadze's Creature is frightening, yet touching. Mr. Kavsadze does a commendable job at presenting a three-dimensional being and not a cartoonish caricature. The production's costumes, lighting and staging are all first rate. This is definitely a must see! Showing at the Kennedy Center until October 8th, visit http://www.classika.org/Synetic for tickets.
Red Light Winter...great acting, but although I didn't hate it, I may be the only one who didn't like it
Studio Theatre's mounting of Adam Rapp's Red Light Winter is a showcase for its three performers, as well as its director, Joy Zinoman. Jason Fleitz, William Peden and Regina Aquino all do a wonderful job crying, stomping, laughing, hugging, stripping, and screwing -- all the emoting things that actors love to do. However, Mr. Rapp's modern love triangle script is uneven and sadly seems to have embraced the hallmarks of melodramatic TV. The first act comes across as a sixty-minute version of Three's Company; the second act appears to be a Friday afternoon showing of Days of Our Lives. (Stay tune for Monday's episode!) While the playwright could be commended for using trendy sexual terms like "tea bagging;" (sucking a man's testicles for those not in the know) -- if only he had ended Red Light Winter with Act One it could simply be a slice of life vignette. Unfortunately, it all falls apart in Act Two and never recovers. Neil McFadden's sound design, while good, doesn't help break the sense of daytime soap emotional manipulation. And surely with all the available information on the Internet, Mr. Rapp could have a better grasp of AIDS and stomach disorders! The pivotal health point the second act turns on is muted when you realize that someone who receives a regular, annual health exam that includes HIV testing would not be diagnosed with AIDS within a year of contracting HIV. Didn't this sort of "AIDS as death sentence" writing go out of style in the early 90's? The rest of the audience loved it though, and the actors do a great job. So you might want to catch it and make your own decision. Studio is running performances through October 15th. For CurtainUp's review of the NYC production (the reviewer loved it!) go to www.curtainup.com/redlightwinter.html, for tickets and showtimes visit www.studiotheatre.org.
Let there be peace on earth...
Charlie Fink and The Georgetown Theatre Company are presenting Bushwa: A Modern Ubu by Meat & Potato Theatre's artistic director John Morogiello. Running from October 6-15th at Round House Theatre's Silver Spring space, the show is a satiric look at current American politics and avant garde theater. It sold out its performances at the CapFringe Festival, so if you missed it there you can see it now. For tickets and show times visit www.brownpapertickets.com/event/6689.
Saved by the bell...
Arlington County is no longer selling the Clark Street Playhouse, which means Washington Shakespeare Company -- and all the theatres that rent its space -- will be able to produce shows at the Crystal City warehouse space into the 2008 theatre season. Now if someone would only do something about the bathrooms... To check out the WSC's season head over to www.washingtonshakespeare.org.
But where's Blake?
In case you haven't seen the ads or missed them on Larry King Live, Joan Collins and Linda Evans will be appearing together this November at the National Theatre in the comedy Legends!. It's a light romp about dueling middle aged divas who hate each other and is written by Tony Award-winning author, James Kirkwood (A Chorus Line). There's no word if there's a catfight ala Dynasty -- but I'm sure the costumes are fabulous! And, happily, Washington audiences will get to see the show before it hits NYC in 2007. For more info see www.nationaltheatre.org.
Get your book (signed) on!
Woolly Mammoth's Get Your War On which kicks off a ten-show run on October 5th will have a special guest. Comic creator/writer David Rees will be at the theatre on Friday and Saturday, October 6th and 7th, for book signings prior to the evening performances. The signings will begin approximately 7:15ish. And for those who like discussing theatre, post-show talk backs will be held immediately following each of those performances, with the show's creators, the Rude Mechs . For more info visit Woolly Mammoth at www.woollymammoth.net.
Polygraph testing...
The Shakespeare Theatre Company is having a free discussion on Saturday, October 14th. This "Classics in Context" seminar is titled Lies Like Truth: The Language of Power and will feature Rick Davis (Artistic Director of Theater of the First Amendment and the Center for the Arts at George Mason University) as well as Sean Aday, Assistant Professor of Media and Public Affairs at George Washington University. The event starts at 5 pm and is general admission seating so arrive early. Reservations are required and can be made by calling 202.547.1122 or online at www.shakespearetheatre.org/tickets/seats.aspx?source=t&perfId=3438.
Exploring Hispanic culture...
Beginning October 12th and running through November 18th, Teatro de la Luna is presenting three U.S. premieres as a celebration of Hispanic heritage. The shows are: Como Rellenar un Bikini Salvaje (How to Fill a Wild Bikini) by Miguel Falabella; Suelta, Ardiente y Peligrosa (On the Loose, Hot and Dangerous) by Omar Varela; and Romina y el Bellini (Romina and the Circus Bellini) by Alejandro Velis. All the details are at www.teatroluna.org.
There will be a quiz following the free afternoon matinees...
Ford's Theatre and the National Park Service will be presenting free matinee performances of One Destiny from October 2nd through the 21st. Written by Richard Hellesen, the 35-minute piece revisits the events of April 14, 1865 from the perspective of Harry Ford (business manager and one of the owners of Ford's Theatre) and Harry Hawk, the lead actor in Our American Cousin. Patrons will be able to participate in Q&A sessions with National Park Service rangers after each performance. Now for the test... what important national event took place on April 14th? The answer can be found at www.fordstheatre.org.
Free theatre for EVERYONE!
The League of Washington Theatres and the Theatre Communications Group are presenting DC's "First Annual Free Night of Theater." Twenty-three companies are offering almost 2,000 free tickets to performances being held on Thursday, October 19th. Patrons can reserve two free tickets via LWT's website www.lowt.org, beginning on Sunday, October 1st. So get out of your rut and visit a theatre you've never even heard of before!
New artistic director...
Vpstart Crow Productions has named Christine D. lange as its new artistic director. To see the Manassas-based company's season schedule visit www.vpstartcrow.com.
Zombies needed...
Landless Theatre Company is having a Zombie Lurch on Tuesday, October 3rd. The walk is to promote the company's new production Night of the Living Dead. Costumes are NOT provided, but the zombie parade will begin at Adams Morgan's favorite biker bar, Asylum. And after the walk -- which is a fun PR stunt that Landless is coordinating -- the company's Diamond Dead band will be performing. For those who want the talk, but not the walk...Night of The Living Dead will be staged at DCAC from October 6th through the 28th. Showtimes are Fridays and Saturdays at 10:00 pm. To sign up for the Zombie Lurch or for ticket information visit www.landlesstheatre.org.
Up in Baltimore...
CENTERSTAGE is presenting its annual festival, Backstage @ CENTERSTAGE, on Saturday, October 7th. The Open House will feature tours of the theatre, while North Calvert Street will be shut down to hold a street festival featuring local bands, theatrical performances by Baltimore-based companies and, just in time for Halloween, a props and costume sale. More information can be found at www.centerstage.org.
And the date is...
The American Century Theater has chosen a date for That Championship Season. The production will take the stage of Gunston Arts Center from March 30th to April 28th. For tickets visit www.americancentury.org.
It's for a good cause...
Studio Theatre's Fall Benefit will be hosted by the new Viridian restaurant and four Logan Circle art galleries. Tickets for the benefit are $200 each and support Studio's educational and community programs. Anyone interested in purchasing can by call 202-232-7267 or visit www.studiotheatre.org.
September 1, 2006
September's master list...
Washington is a busy theatre town and to help you keep up, here's a list (in date order) of shows debuting in September. Please check with each theatre for times, ticket prices and specific show information.
Woolly Mammoth Theatre Company -- August 28th -- In The Continuum written & performed by Danai Gurira & Nikkole Salter
Shakespeare Theatre Company -- August 29th -- An Enemy of the People by Henrik Ibsen
Signature Theatre -- September 5th -- My Fair Lady by Lerner and Loewe
Everyman Theatre -- September 6th -- Opus by Michael Hollinger
Journeymen Theater -- September 6th -- Spinning into Butter by Rebecca Gilman
Studio Theatre -- September 6th -- Red Light Winter by Adam Rapp
Arena Stage -- September 8th -- Cabaret by Mastoff, Kander & Ebb
American Century Theater -- Sept 8th -- MacBird! by Barbara Garson
Synetic Theatre - September 13th -- Frankenstein adapted by Nathan Weinberger and Paata Tsikurishvili
Round House Theatre -- September 13th -- A Prayer for Owen Meany by Simon Bent, adapted from the novel by John Irving
CENTERSTAGE -- September 15th -- The Three Sisters by Anton Chekhov
Metro Stage -- September 19th -- Girl in the Goldfish Bowl by Morris Panych
African Continuum Theatre Company -- September 21st -- The Gingham Dog by Lanford Wilson
Charter Theatre -- September 22nd -- Short Order Stories directed by Joe Calarco
Ford's Theatre -- September 22nd -- State of the Union by Howard Lindsay and Russel Crouse
Rep Stage -- September 22nd -- Stones in His Pocket by Marie Jones
Arena Stage --September 29th -- Nine Parts of Desire written and performed by Heather Raffo
GALA Hispanic Theatre -- September 30th -- Stripping Don Juan by Ana Caro
Extended for another week...
Theater Alliance has extended its 3/4 of a Mass for St. Vivian by Phoebe Rusch through September 10th. The production is playing at the H Street Playhouse and tickets can be purchased at www.theateralliance.com or by calling toll-free 1-866-811-4111.
Welcome...
Arena Stage has added David Dower, the founder and former artistic director of The Z Space Studio in San Francisco. Dower will be coming to Arena as an Artistic Associate, where he will support the development of new artistic projects and programming.
Maybe it's a super hero group...
Round House Theatre was recently voted in to join the League of Resident Theatres (LORT), an association of the country's most prestigious professional theatre companies. It now becomes the fifth theatre in the DC-Baltimore region to join the LORT. The other companies include: Shakespeare Theatre Company, CENTERSTAGE, Arena Stage, and Ford's Theatre.
For your Inner Muppet...
On September 22nd, the Clarice Smith Center at the University of Maryland is holding a day-long festival entitled "Jim Henson: Creativity and Other Inspirational Stuff." The festivities include: an art exhibit, live performance and panel discussion. For more information on this day-long series of activities designed for adults see www.claricesmith.umd.edu or call 301-405-ARTS.
So you want to be a director...
Vpstart Crow is seeking directors for its 2007 season. If you are interested in directing Much Ado About Nothing, The Imaginary Invalid, The Merchant of Venice or An O. Henry Christmas, you have until 6 pm on Friday, Sept. 15th to submit your proposal and submission form. For more information go to www.vpstartcrow.com.
This just in...
Woolly Mammoth has added Get Your War On to it's season line up. Created by Rude Mechs of Austin, TX; Get Your War On will be directed by Shawn Sides and run for only 10 performances beginning October 5th. See www.woollymammoth.net for show info.
Partnering...
Arena Stage has debuted its new Affiliated Theater Program. The one-year program is designed to assist in mentoring and working with smaller DC area theatres. For the inaugural partnership, Arena Artistic Director Molly Smith has chosen Theater Alliance, the resident theater at the H Street Playhouse.
Off the beaten path...
The Robert E. Parilla Performing Arts Center at Montgomery College in Rockville is including The Acting Company's Jane Eyre in it's 2006-2007 performance schedule. The show is the American touring premiere of Polly Teale's adaptation of the Charlotte Bronte classic. The one-night only production is slated for Thursday, January 18th at 8 pm. For tickets go to www.montgomerycollege.edu/PAC or call 301-279-5301.
In the laboratory...
Baltimore's Everyman Theatre will be producing a workshop reading of The Cone Sister, a new work by Naomi Greenberg-Slovin, from September 17th through October 3rd. The one-woman show features the playwright's sister, Everyman Theatre company member, Vivian Shub. For showtimes visit www.everymantheatre.org.
In the mood for a show tune...
Michael Feinstein will be appearing at George Mason's Center for the Arts on Friday, September 30th at 8 pm. Tickets are on sale at www.gmu.edu/cfa.
A Star Studded Evening...
The Washington DCJCC's Annual Hyman S. & Freda Bernstein Jewish Literary Festival is opening on Sunday, September 10th at 7:30 pm with theatrical readings featuring Sarah Marshall, Karl Miller, Leigh Smiley and Jerry Whiddon. Titled "Familiar Streets: A Century of Jewish Life in the City" the evening is adapted and directed by Derek Goldman. The festival is running from September 10th through 20th and will also include literary luminaries like: Nora Ephron, Madeleine Albright, Peter Beinart, Ira Berkow and Harry Shearer. For details visit www.dcjcc.org/arts/literature.
August 15, 2006.
Show recommendations...
Keegan Theatre's Steve Martin's Picasso at the Lapin Agile -- free-flowing fun
Over at Gunston Arts Center, Keegan Theatre is offering an interesting take on the hit, turn-of-the-century comedy -- Steve Martin's Picasso at the Lapin Agile. Director Scott Pafumi's ensemble seems to be having as much fun as the audience in this cerebral and contagious play about the similarities between art and science. For a complete overview of the plot, see the CurtainUp review at www.curtainup.com/picasso.html.
Within the cast -- which features a variety of performance levels -- Eric Lucas stands out in his role as young Albert Einstein. Mr. Lucas never leaves character and seems to be a bundle of constrained and controlled energy trying to find an outlet of expression. He's quite fascinating to watch. Other notables are Mick Tinder as the art dealer Sagot and James A. Howard's cantankerous Gaston. Mark Rhea does an interesting turn as Picasso, but his lack of a Spanish accent is oddly misplaced against Mr. Lucas' noticeable German inflections. All in all though, this is a fun show that has enough comedic moments to keep the pace up during its 90-minute running time.
A joint production between the Keegan Theatre and the New Island Theatre Project, Steve Martin's Picasso at the Lapin Agile is playing until August 19th and tickets can be purchased by calling 703-892-0202 or via online at www.keegantheatre.com.
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Performing at Roundhouse Theatre's Silver Spring space, Open Circle Theatre once again shows how non-traditional casting provides a multi-layered and unique perspective to established works. Director Joe Banno, Assistant Director Suzanne Richard (who is Artistic Director of Open Circle Theatre) and choreographer Cassie Meador have pulled together an enjoyable and lively version of Andrew Lloyd Webber and Tim Rice's rock musical Evita. Working in conjunction with the Liz Lerman Dance Exchange to develop accessible dances built from the strengths and abilities of the participants, Banno and Richards have incorporated differently-abled actors, as well as American Sign language interpreters into the action. Thus, each main character has an inner psyche physically represented onstage by the sign interpreter whom they interact with throughout the production. Once you are used to the staging, the spoken/signed effect creates an intertwined, dance-like aspect to the staging.
The production flows fairly smoothly, although there seem to be issues with the microphones, which impact the dramatic effects of some of the songs. With the entire production set in a dance hall -- much like the ones that the young Eva Duarte first performed in -- the action moves from dance floor to bedroom to the balcony of the Presidential Palace. Within the cast, Amanda Johnson, as the title character, does an impressive job in a demanding role, bringing energy to the part. Scott Sedar's President Juan Peron has an air of military authority, while Rob McQuay wonderfully mixes satire and sarcasm to create Che Guevera, the cynical narrator who is the musical's conscience. The creative uses of set pieces to serve as Mr. McQuay's wheelchair works wonderfully and shows there are no limits within the theatre -- just limited imaginations. The best musical numbers in the this show are "I'd Be Surprisingly Good for You," "Another Suitcase in Another Hall" and the comedic military ode, "The Art of the Possible." For a complete synopsis, check out CurtainUp's review of the London production at www.curtainup.com/evita.html.
If you are in the mind for a familiar musical done in an intriguing manner, this is definitely worth a trip to Silver Spring. Evita is playing through August 27th; tickets are available by calling 240-683-0305 or online at www.opencircletheatre.org.
Extended...
The Actors' Theatre of Washington has extended the run of its "Tramps and Vamps" production to Aug. 20. Performances will continue to be at the Church Street Theatre, on Church Street, N.W., between 17th and 18th Streets. For more information, visit www.atwdc.org.
Bittersweet news...
Source Theatre is no longer slated to become a restaurant! The Cultural Development Corporation has purchased the theatre company's 14th Street building from Bedrock Management Co. and is seeking a buyer to turn the location into a thriving arts center. Meanwhile though, Source Theatre Company will be dissolving.
Moving on up...
Charter Theatre will be producing their 2006-2007 season at Theatre On The Run. Due to its recent acceptance into the Arlington County Arts Incubation program, Charter will be moving over to Four Mile Run Road, where you can also catch Trumpet Vine Theatre Company, Firebelly Productions and -- until January -- Signature Theatre. For Charter Theatre's upcoming season go to www.chartertheatre.org.
Listening on the web...
The American Century Theater is offering podcasts on its website at www.americancentury.org. The first installment features an interview with Ellen Dempsey, director of TACT's upcoming production of MacBird!. TACT plans on having at least one interview as a preview for each of its upcoming 2006-2007 shows.
Mark your calendar...
The Shakespeare Theatre Company has announced that the Harman Center for the Arts -- the company's new expanded performance space -- will open with a gala celebration on October 1, 2007. For those not familiar with the plans, the Harman Center for the Arts will incorporate the existing Lansburgh Theatre (Seventh and E Streets NW) and the new Sidney Harman Hall (currently under construction at Sixth and F streets NW). You can find out more at www.shakespearetheatre.org.
$10 is a steal...
Catalyst Theater Company is offering everyone a night out at the theatre for the price of a movie -- $10 tickets -- every seat, every show. You can't beat that! While still determined to challenge audiences and provide thought-provoking work, the company initiated the ticket price slash back in May and will continue it through the 2006-2007 season. Now there is no excuse not to be a theatre goer! You can visit them on the web at www.catalysttheater.com.
Taking time out to regroup...
Theater of the First Amendment (TFA) has temporarily suspended mounting full productions through the 2006-2007 season. The artistic staff of TFA, as well as George Mason University's College of Visual and Performing Arts, is taking the time to "re-examine, re-invent, and explore new approaches to producing and presenting new theatrical works." The goal is to return to full productions in 2008. For 2006-2007, TFA will be offering a series of play readings and a new theatre festival:
Wednesday, September 27, 2006 -- Words at Night: readings of literary works by Mason authors
First Fridays at Old Town Hall series (free and open to the public) -- October 6, 2006 at 8 pm; December 1, 2006 at 8 pm; March 2, 2007 at 8 pm
Saturday and Sunday, March 17 & 18, 2007 -- 7th Annual First Light Festival of new play readings and development
Artists' lofts...
Studio Theatre is embarking on another capital campaign to purchase, renovate and maintain two apartment buildings to house its visiting artists and also the participants of its new, year-long apprentice program. The campaign is titled "Artists Next Door: The Butler/Kogod Campaign for Artist and Apprentice Housing" and the goal is to reach $4.5 million. The theatre already has $1.5 million of that and has embarked on phase one of its global domination plan with the purchase of 1736 Corcoran Street NW. The building will be called Butler House in honor of Susan L. Butler, one of Studio's Board of Trustees.
Trade show for the craft...
On Sunday, September 17th (10:00 am- 4:30 pm) The Actors' Center is producing the 1st Annual Washington, D.C. Actors' Expo at the Sheraton Hotel in Crystal City, VA. Featuring workshops and speakers, the topics to be covered will include: casting, working in voice over and narration, and training programs. There will also be an exhibit room featuring headshot photographers, industry publications, web designers, and other products and services useful to actors. The price is $25 ($15 for Actors' Center members) until August 31st and then $30 ($20 for members) starting September 1st. More information is available at www.ACActorsExpo.org or by calling the Actors' Center at 703-413-3270.
May 1, 2006 Its time for announcements, awards and unique performances. Here are a few happenings from around town...
Two completely different shows to take in...
Landless Theatre's Godzilla -- Cute and irreverent, though lacking a little in bite.
Soon to wrap up its run at DCAC is Landless Theatre's ode to the "King of Monsters", Godzilla. This Japanese play written in 1988 is a melding of King Kong, Romeo & Juliet and The Munsters, with a little Heaven Can Wait tossed in for good measure.
The basic story line has tender hearted Yayoi (played by Kate Hundley) wandering the mountains outside of Tokyo when she stumbles upon the sleeping Godzilla (Andrew Lloyd Baughman) who is in hibernation since his last few films have bombed at the box office. Taken at once by his wounded look, she falls in love and he -- impressed by her courage -- falls in love with her.
 A. Zavistovich and M. Nakamura
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Landless' production is fun and silly. The company seems to be having a good time just like the audience. Matt Baughman's Mothra is a hoot and Ally Jenkins' Pigmon is a nasally New Yorker. While the script itself is weak, the company rises to the challenge of bringing a 200 foot reptile into DCAC's small space. However, there are no lizard suits being used, if that's what you're thinking. Although tiny action figures are injured during the staging.
Godzilla is playing at DCAC until May 7th, Thursday through Saturday at 7:30 pm and Sunday at 3 pm. Tickets are $10-$18 and can be purchased at www.landlesstheatre.org.
Shakespeare Theatre Company's The Persians -- Remounted from NYC, it's still visually stunning and emotionally powerful.
If you saw Scena Theatre's modernist mounting of Aeschylus' anti-war drama last July, be advised Shakespeare Theatre Company's version is a new adaptation by Ellen McLaughlin. This version is twenty minutes shorter than Robert Auletta's and cuts out quite a bit of material. For a synopsis and review of the New York mounting of this production check out -- http://www.curtainup.com/persians.html
 H. Carey and T. van Griethuysen (Photo: Carol Rosegg)
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Michael Roth's drum-driven sound score is haunting and Marcela Lorca's choreography is eye catching in its constant shifting, like the red sand that covers James Noone's desert stage. Noone's set also contains some fascinating mirror effects, a 180 degree screen and mesh netting to hide the onstage drummers. It's simultaneously modern and old and looks like some odd level of Dante's Hell.
Ted van Griethuysen's standout performance as Darius the dead king of Persia is less an angry monarch than a pitying ghost who wishes his former colleagues and wife his best. Alas, he is ultimately is unable to help them. All he can do is advise "Life...grasp the joy while you can my friends. Death is long..." And when Mr. van Griethuysen makes that statement, there is a huge truth that comes at you like a wave from the ocean.
Helen Carey as his widowed queen, Atossa, is a worried mother -- not just for her own son -- but for her entire nation. As she prowls the stage demanding answers one minute and explaining she doesn't understand the finer points of politics the next, you commiserate with her pain and sorrow.
Personally, I preferred Scena's politically charged, in-your-face "This is you America!" styling, as well as Robert Auletta's adaptation. There was more back story to it, no one was innocent, everyone shared the guilt of war, and the Tivoli's intimate space makes it hard not to pay attention. However, Shakespeare Theatre Company's effects-filled mounting is designed for the mainstream, mass market ticket buyer. Which is not to say it's shallow, because it's not. It's seventy-five minutes is very emotionally charged and this performance is definitely one to check out.
The Persians is running through May 21st. For tickets and showtimes call 202-547-1122 or visit www.shakespearetheatre.org.
Everyone's a winner...
The Helen Hayes Awards were recently handed out. To see which of your favorites won visit CurtainUp's Omnibus Awards Page.
Monday readings...
Actors' Theatre of Washington has announced its "Mondays In May" reading series schedule, which highlights new works in gay playwriting. The remaining two selections include:
Monday, May 8 -- The Picture of Dorian Gray by David John Preece
Monday, May 15 -- Sebastian by Luis Correa-Power
The performances will be held at the Human Rights Campaign's Equality Forum space on Rhode Island and 17th Streets NW. For info on times, visit www.atwdc.org.
Down in Manassas...
Vpstart Crow Productions is just mounting Shakespeare's The Comedy Of Errors, which runs through May 14th. For more info visit www.vpstartcrow.com.
It ain't Hair, but it's extended...
Studio Theatre has announced it's extending Frozen for two more weeks. Beginning May 10, Kimberly Schraf will play the role of Nancy for the remainder of the run. If you've missed it, now is your chance to get tickets at www.studiotheatre.org.
Do I hear one million?
Signature Theatre has received a $1 million dollar grant from the Shen Family Foundation for the launching of the theatre's American Voices Project. This new, two-pronged program will offer Musical Theatre Composer Grants and Musical Theatre Leadership Awards for "the creation, development and production of new works" and for "extraordinary contributions to new musical theatre." Both the awards and the grants will be presented in New York City on Monday, May 15th. The recipients for the grants are: Ricky Ian Gordon, Michael John LaChiusa and Joseph Thalken. The leadership awards will be given to: Bruce Coughlin, Adam Guettel, Audra McDonald and Ted Sperling. For more info visit www.signature-theatre.org.
Do I hear six million?
Meanwhile, up in Baltimore, CENTERSTAGE has announced it's embarking on a $6.8 million fundraising campaign titled the "Leading National Theater Initiative." The campaign, which was begun informally in December 2004, is already over 80% complete and coincides with the theatre's recognition as one of six leading national theatres in the United States by the Doris Duke Charitable Foundation and the Andrew W. Mellon Foundation. The campaign will be used to increase CENTERSTAGE's endowment fund and make technological improvements to the theatre's stage equipment, lobby, outer facade and patron services. You can find more about the theatre at www.centerstage.org.
Do I hear 3 tenors?
On the other side of town, Arena Stage has announced it will be offering 3 Mo' Divas! this summer for an eight week run. Written and directed by Marion J. Caffey, this will be a new version of the show created specifically for Arena. Due to the production's intense demands, the theatre will feature two casts that run in alternating performance schedules. The show debuts on July 15th and goes through August 13th. No specific cast has been mentioned as yet. For more information, see www.arenastage.org..
Do I hear hip sounds by gay artists?
Saturday, June 10th will be the 6th Queering Sound performance at Warehouse Theatre. Tagged with the intriguing description "Dropping a rose petal down the Grand Canyon and waiting for the echo..." this annual event features area and national gay artists. Sound, spoken word, noise, digital, video and performance all come together for an evening of exploring the gay artistic voice. Tickets are only $5 and can be purchased at the door.
March 27, 2006. A little news from around the area...
Still Going Strong!
Actors' Theatre of Washington has extended its run of David Mamet's Boston Marriage to April 2nd. To get your tickets, go to http://www.atwdc.org.
Where's Mothra?
The attack of the kaiju (strange beast) has finally arrived to DC -- and just in time for cherry blossoms! Landless Theatre Company has switched their roster and instead of presenting One Flew Over the Cuckoo's Nest they will be offering the U.S. Premiere of Godzilla, a play that took Japan's top drama prize -- the Kishida Kunio Award -- in 1988. Running from April 13th through May 7th at DCAC, it promises to be a very interesting performance a love affair between a young girl and the huge, green, post-nuclear lizard who has a tendency to destroy Tokyo. For more information see http://www.landlesstheatre.org.
Spacey-R-Us
Michael Kahn and the Shakespeare Theatre Company Board of Trustees have announced that Academy and Tony award-winning actor Kevin Spacey will receive the 19th Annual Will Award. Presented each year to a famous person who has distinguished themselves in classical theatre, the presentation will be on Saturday, May 13th at Shakespeare Theatre's annual gala and Spacey is set to attend. To find out more visit http://www.shakespearetheatre.org.
Spanish Poetry -- Olé!
On April 1st, from 2 pm until 8 pm, Teatro de la Luna will be hosting the "14th Poetry Marathon". The event will feature poets Luís Alberto Ambroggio, Ivón Gordon Vailakis, Consuelo Hernández, Gladys Ilarregui, Eduardo Langagne, José Mármol, Ariel Montoya, Iván Oñate, Fernando Operé and Milagros Terán. Please note that this free event is a Spanish only performance being held at Casa de la Luna in DC's Petworth neighborhood. For a closer look, head over to http://www.teatrodelaluna.org.
New Works to Entertain and Amaze
Up in Baltimore, CENTERSTAGE is hosting a festival of play readings titled "First Look: Special Edition". There are two performances left -- Monday, March 27th and Monday, April 3rd at 8 pm each evening. These new works, which are performed by professional actors, are written by emerging artists and cover some broad ground from hallucinogenic myth to dark comedy. The readings are $5 each and there should be tickets at the door. But to make sure, check out http://www.centerstage.org.
The Only Performance Space in Manassas?
Vpstart Crow Productions will be mounting another William Shakespeare piece to immediately follow up their recent Julius Caesar endeavor. This time it is the Bard's The Comedy Of Errors and the show will run from April 28th to May 14th at the company's home in Old Town Manassas' Cramer Center. For more details, visit http://www.vpstartcrow.com.
And Theatre for the Community (TFC) will present Lewis Carroll's Alice in Wonderland March 31st through April 9th also at the Cramer Center. Tickets are $15 for adults and $10 for students and seniors who are over 65. If you want to check them out, there is also a Pay-What-You-Can performance on Thursday, March 30th at 8pm. The company promises a twist on the children's classic by making Lewis Carroll's work akin to The Rocky Horror Picture Show. For information or to get tickets, call 703-365-8350 or go to http://www.cramercenter.com.
February 20, 2006. A few items of interest as we head into the homestretch of winter.
Three very different shows to consider...
African Continuum Theatre Company's The Story -- Compelling and tense, this production will keep your attention!
 C. Ogbuagu and J. Stiles
(Photo: Clifford L. Russell, Jr) |
Director David Charles Goyette and his creative team have placed the piece within a boxing ring set, with actors entering and exiting at breakneck speed. The entire play flows like a choreographed dance as Yvonne, freshly recruited to the Outlook section of a major city daily, investigates the death of an inner city school teacher. Unfortunately, Yvonne has a tendency to embellish -- some might call it lying -- when the situation suits her purposes. And this situation very much suits her ambitious purposes.
Faced with an inability to produce her source to a judge, her colleagues disbelieving the veracity of her news reports and her embellished past catching up with her, Yvonne leads us to a very disturbing conclusion as her downfall illuminates her coworkers' loyalties to their individual prejudices and causes. Mixed with this is the fact that she might very well be mentally ill and hallucinating her conversations with the girl gang member who claims to have murdered the school teacher. And melded within the entire piece are the societal forces that maintain the image of the violent black male and the "gangsta female."
There are no simple answers provided, thus The Story becomes a wonderful jumping off point for further discussion on how prejudices of all kinds impact the news stories which are delivered to our doorsteps. Chinasa Ogbuagu is wonderful as the chic Yvonne, while Jewell Robinson is a formidable nemesis as her editor Pat. The entire ensemble provides terrific performances as racial hatred, self-hatred, journalistic integrity and human rights merge in this sharp, sometimes humorous, drama. It's playing through February 25th (Thursday and Friday at 8 pm, Saturday at 2 pm and 8 pm) and tickets can be purchased by calling 202-399-7993 or by visiting http://www.africancontinuumtheatre.com.
Scena Theatre's This Lime Tree Bower -- Very funny!
Over at the Warehouse Theatre, one of Conor McPherson's earlier works is being staged with great results. Scena's artistic director Robert McNamara has pulled together familiar faces to bring the three-man comedy, This Lime Tree Bower, to life. Joe Baker, Dan Brick, and Eric Lucas have all been seen of late in Irish tinged productions and seeing the three men on the stage together is quite a treat.
Mr. Baker creates a wonderfully naïve young man on the brink of adulthood and self-discovery. His fascination with his good pal Damien gives the impression that he wishes it were more than just platonic friendship. Meanwhile Dan Brick as older brother Frank offers up a wry performance as family black sheep with a good heart. Eric Lucas' portrayal of heavy drinking college professor Ray is great fun as he nonchalantly discusses his almost daily self-created embarrassments. For a story synopsis see http://www.curtainup.com/limetree.html.
To assist audiences' understanding, director McNamara has kept the Irish accents within understandable bounds and his simple staging enhances the ensemble's camaraderie. If you've been following all the Irish theatre emerging in DC over the past two years, then you won't want to miss this production.
Scena Theatre's This Lime Tree Bower is playing through March 19th, performances run Thursday - Saturday at 7:30 pm and Sundays at 3 pm. For more information call 703-684-7990 or visit http://www.scenatheatre.org.
Landless Theatre's Carrie Potter at the Half-Blood Prom -- A silly good time.
You knew the Harry Potter satires would eventually make their way to the theatre stage. I imagine somewhere out there is a big splashy Hogwarts musical seeking financing. Most likely it already has a revolving, all-star cast expressing interest in portraying the teen magician and his friends. Something like Hugh Jackman as Harry, Ashton Kutcher as Harry, Antonio Bandaras as Harry, Demi Moore as Hermione, Jessica Simpson as Hermione, Cher as Harry, Hermione AND Professor Dumbledore, Ah-nold (post politics) as the big evil...
But Landless Theatre has beat the big boys to the stage with its rock musical Carrie Potter at the Half-Blood Prom. Snipping aspects of the Potter stories, with bits of the films Heathers, Star Wars and Carrie the musical then adds a dash of Bewitched and a smidgeon of Jesus Christ. (One wonders why Jeannie and the Flying Nun were left out!)
At only an hour long, this late night show is a good post-dinner and drinks event. The pre-show opening act segues into audience participation as demanded by the androgynous Geeky Kid (a take off on Napoleon Dynamite and played by Ally Jenkins). The cast are fairly good at improvisation and all look like they are having a good time. Acting-wise, Timothy R. King stands out in his dual roles of Plucky the House Ghost and Miles the secret agent librarian, while fun performances are offered up by the rest of the Landless regulars: Ally Jenkins, Jill Vanderweit, Jennifer Berg, Matt Baughman, and Zehra Fazal. Writers Andrew Lloyd Baughman (book and lyrics) and Jen Tonon (music) keep the pace of the story fairly quick and also make appearances as Jesus and slacker werewolf Rhonda.
What the show lacks in props and set design it more than makes up for in energy and tongue-in-cheek winks to the audience as it insists it's a morality play wrapped in a horror musical. Playing at DCAC through March 11th, performances are Friday and Saturday nights at 10 pm. You can purchase tickets at http://www.landlesstheatre.org.
And the winner is...
The Helen Hayes Awards nominations were announced February 7th. You can check them out here. Congratulations to all the theatres in town (not just the ones which were nominated) -- we are lucky to have you all!
You can still get seats...
Great news for those that thought they missed it -- Studio Theatre's Fat Pig is extended through March 12th. To get tickets go to http://www.studiotheatre.org.
Opera for the kids...
The Inter-American Development Bank Cultural Center & the Domingo-Cafritz Young Artist Program of the Washington National Opera have joined forces to present Engelbert Humperdinck's 90-minute opera Hansel and Gretel. It's advertised as a "a punk twist on the Grimm brother's classic." Performances are free and open to anyone 10 years old and up. Show times are at 7 pm on Thursday, February 23rd and Friday, February 24th. Performances will take place at the Enrique V. Iglesias Conference Center Auditorium at the Inter-American Development Bank. For more information or to reserve tickets go to http://www.iadb.org/cultural.
A look inside the artist's mind...
Now at the University of Maryland, Jerry Whiddon (formerly of Round House Theatre) is directing the Department of Theatre's spring production of the Arthur Miller classic The Crucible. He has developed a blog about his inner thoughts on the play and the experience at http://claricesmithcenter.umd.edu/blog/crucible.
It's kind of like at the opera...
Ford's Theatre has become the first theatre in Washington to utilize I-Caption devices. Designed for deaf and hard of hearing patrons, the device is a hand held monitor that provides the text of the entire show, so people can follow along. The I-Caption devices are synced with sound and lighting cues to coincide with individual performance pace. Ford's is currently offering them for every performance of Trying. More info at http://www.fordstheatre.org.
Saying goodbye...
Sad news, Church Street Theatre is slated to become condos and Source Theatre has recently been sold to pay off the defunct company's debts. It will become a restaurant bar under the new owners.
On the farther reaches of urban space...
Wayside Theater, a professional theatre located in Middletown, VA has a couple of shows remaining in their season. If you're interested in a day trip, this might offer an idea. Currently the company is presenting the gospel music comedy, Smoke on the Mountain until February 25th. Then April 1st, they will be offering The Diaries of Adam and Eve - Searching for Eden which is adapted from two short stories by Mark Twain. Check the theatre out at http://www.waysidetheatre.org.
Think of I-270 as a worm hole...
Meanwhile up in Frederick, the Maryland Ensemble Theatre (MET) is offering Betty the Yeti until March 4th. It's the love story between a down-on-his-luck logger and an abominable snow woman. March 17th, the ensemble will produce The Women of Lockerbie by Deborah Brevoort, which is a Greek-style tragedy looking into the crash of a Pan Am flight in Scotland. Then they'll wrap up their 2005-2006 season with Urinetown running from May 12 - June 17, 2006. For more information or to get tickets go to http://www.marylandensemble.org.
More awards...
Woolly Mammoth has received five design awards for its new theatre space. You can visit http://www.woollymammoth.net to find out more.
Change of Vlans...
Vpstart Crow Productions out in Manassas, VA has announced it is replacing Deathtrap with Anton Chekhov's The Seagull as part of the company's 2006-2007 season. To find out more go to http://www.vpstartcrow.com>.
Season Announcement...
In Alexandria, Natural Theatricals has announced its 2006 season. Devoted to Greek theatre, the company will be producing:
Alice in Underwear by artistic director Paula Alprin, July 13-30, 2006 (a world premiere ).
Phoenician Women by Euripides in a new translation by Carl R. Mueller, August 10-27, 2006.
Jocasta by Philip Freund, October 26-November 18, 2006 (a world premiere)
For ticket information visit http://www.naturaltheatricals.com.
February 1, 2006. There are some interesting short run theatre productions coming up, as well as a couple of shows that you might want to make a point of seeing.
These plays are definitely worth the price of admission...
 M. Rhea and B. Hemmingsen
(Photo: Ray Gniewek) |
Director Dorothy Neumann's production of Arthur Miller's classic play is taut and well defined. A simple stage suits this unvarnished piece about a family sinking under the weight of the beliefs to which it has tenaciously held. Stefan Gibson's set is a simple frame house with versatile uses. Dan Martin's lighting thrives on the greys and shadows of the space to illuminate the important moments.
The performance flows with remarkable speed and you don't even notice the almost three hour length of the play. On so many levels Miller hits home -- parental relationships with children, the weight of being a "golden child" within a family, charisma vs. hard work, selflessness and selfishness. As a play it's remarkable and if you haven't seen it -- you should!
Brian Hemmingsen's Willy Loman is mesmorizing as he deteriorates. Alternately brutish then child-like, then suddenly a braggart who is just as quickly on his knees as he realizes his life has come to a screeching stop. Mr. Hemmingsen once again provides an emotionally exhausting performance. As Willy's wife Linda, Charlotte Akin opens a window on a whole generation of wives who catered to and fought for their husband's well-being. No matter that he keeps stifling her voice, he provides for the family and that, in her book, means he deserves and has a right to respect and consideration at every step. While she may be always smiling, she is also shrewd and you get the feeling she is not unknowing about Willy's extramarital affairs, but simply chooses to ignore them since her star is so intricately intertwined to his.
Mark Rhea illuminates a tortured Biff, while Mike Innocenti as the shallow Hap is the con man that Willy never wanted to become. As the characters move about the stage, your realize each has a core bit of truth about the Lomans' situation, as well as a great deal of delusional baggage.
For a synopsis see http://www.curtainup.com/salesman.html and then run to Church Street Theatre and take in this wonderful performance yourself. Keegan is running Death of a Salesman until February 19th. Performances are Thursday through Sunday and you can purchase tickets at http://www.keegantheatre.com.
 D. Marks and Todd Scofield
(Photo: Carol Pratt) |
Over on Capitol Hill, the Folger Library is offering a terrific performance of William Shakespeare's satire Measure for Measure. Director Aaron Posner has devised a Venetian world that illuminates our own times in its attempt to regulate the morality of its citizens. Shakespeare highlights how hypocritical politicians use their power hypocritically -- especially when it comes down to sex and religion.
For an overview of the story see http://www.curtainup.com/measure4measure.html.
In this production Mr. Posner and his creative team have constructed a world that melds past and present, incorporating puppets, steel mesh, Italian tile, interesting pauses and smoky neon-like lighting. Biblical references to forgiveness, as well as Shakespearean quotes flash overhead, as Indie folk rock music by Damien Rice and Sia filters through the air. The majority of the cast is dressed in modern wear, while a handful are in a style more suited to the late 18th century. Each character's facial makeup seems to coordinate with their wardrobe and pinpoint lighting highlights some amazing performances. The humor in the script is cleverly brought to the surface in subtle, and not so subtle, ways, such as with the one-armed executioner. In a nod to Shakespearean times, actors Tony Nam and Todd Scofield handle the ensemble male and female puppet roles.
All in all, this is a visually stunning production that contrasts nicely with the Folger's Elizabethan performance space. The puppets, which are molded in a style similar to paintings by early 20th century artist Egon Schiele, add an especially interesting touch.
Within the cast, Mark J. Sullivan as Claudio shines in his angry monologue on death and capital punishment. Karen Peakes as the virtuous Isabella -- virtuous to a fault (as this production makes clear) -- develops the character very nicely from her first scenes, making you see how the naïve novitiate becomes much more worldly.
As the Duke, Mark Zeisler creates the aura of leader who dislikes being questioned, while also realizing the responsibility which his power demands of him. While as the lecherous and cruel Angelo, Ian Merrill Peakes brings humor and charm to the role of a man whose basic nature is one of cruelty and egotism.
David Emerson Toney as Lucio and David Marks as Pompey provide the clowning that appears in every work by the Bard. Mr. Toney is the braggart who you know is going to receive his comeuppance and Mr. Marks is the world weary "bawd" who is not phased by anything, including becoming a hangman.
The great thing about this production is that there are moments of complete unexpectedness. The melding of so many influences and styles allows the magical aspects of theatre to take over and bring the humor and the insight within the script to the surface in a fresh, new way.
Measure for Measure is playing Tuesdays through Sundays until February 26th. For more information or for tickets go to http://www.folger.edu.
Little shows that might interest...
February 2nd through February 5th -- A One Woman Show by Ann Yadav
Being performed at Flashpoint's blackbox space (http://www.flashpointdc.org), writer and performer Ann Yadav's Capers is based upon the plight of residents of the Arthur Capper/Carrollsburg public housing project. The show examines gentrification, forced relocation and the struggle for affordable housing in the District of Columbia. To purchase tickets visit http://www.caperstheplay.com.
February 3rd -- Three Farces by Georges Feydeau
Being performed at the French Embassy (La Maison française) this one night only show examines the La Belle Époque playwright's classic works which were the precursors to the Surrealist and Dada theater movements. The three one-acts are Our Fiance, Through the Window, and Love and Piano. Go to http://www.la-maison-francaise.org for ticket information.
For the playwrights out there...
Vpstart Crow Productions is seeking original plays for its upcoming staged reading series. Titled "Vpstage 2006", the new program will offer readings on select Wednesday nights at the company's performance space in Manassas' The Cramer Center. If you are interested go to www.vpstartcrow.com for more information.
Season announcement...
Olney Theatre Center (http://www.olneytheatre.org) has released its 2006 season.
The Heiress by Augustus and Ruth Goetz -- February 15-March 12, 2006
Anything Goes music by Cole Porter, book by Guy Bolton and P.G. Wodehouse -- March 29-April 23, 2006
The Elephant Man by Bernard Pomerance -- May 24-June 18, 2006
Hedda Gabler by Henrik Ibsen, translated by Rolf Fjelde -- June 21-July 23, 2006
Jacques Brel is Alive and Well and Living in Paris music and lyrics by Jacques Brel, additional material by Mort Shuman and Eric Blau -- July 6-July 30, 2006
An Enemy of the People by Henrik Ibsen, translated by Rolf Fjelde -- July 20-August 27, 2006
In The Mood by Irene Wurtzel -- September 6-September 24, 2006
The Foreigner by Larry Shue -- September 27-October 22, 2006
Cinderella music and lyrics by Richard Rogers and Oscar Hammerstein II -- November 15-December 24, 2006
The Potomac Theatre Project (running July 11-August 6, 2006) will include in repertory:
No End of Blame: Scenes of Overcoming by Howard Barker
An Experiment with an Air Pump by Shelagh Stephenson
Baltimore family nights...
CENTERSTAGE announced a new family night at the theatre. The series is titled "Kickin' it with the 'rents." and includes: pre-show activities, a family-style dinner and a CENTERSTAGE performance -- all for only $8. The series is targeted towards Baltimore City high school students and CENTERSTAGE anticipates 30-40 families per event. Sounds like a great audience development idea! See http://www.centerstage.org/page.php?pageID=215 to find out more.
Be a mime...
This is the first item about Teatro de la Luna. The theatre has announced Comedic Mime Workshops that will be taught by acclaimed clown and mime, Carlos Alvarez. While the workshops are in Spanish, English translation will be provided for non-Spanish speakers. Cost is $30 per session or $100 for all four sessions. The classes are going to be held Mondays and Tuesdays, February 6, 7, 13 & 14 from 7 - 9 pm. Go to http://www.teatrodelaluna.org for more information. The workshops are in conjunction with the company's annual International Festival of Hispanic Theater, which leads us to...
9th International Festival of Hispanic Theater...
Starting February 1st and running through March 11th, Teatro de la Luna will be hosting theatre troupes from Chile, Colombia, Costa Rica, Dominican Republic, Puerto Rico, Spain, and Uruguay. Performances will take place at Arlington's Gunston Arts Center. All performances will be in Spanish, however English simulcast will be provided (except where specifically stated). Visit the company's website at http://www.teatrodelaluna.org and then take part in this wonderful opportunity for cultural sharing!
January 25, 2006. Now that the new year is in full swing, there is news and more than a few shows to check out in the next two weeks before they close.
Studio Theatre's Fat Pig...Exceedingly funny, very touching, but it skims the surface of real discussion.
Kate Debelack as Helen and Tyler Pierce as Tom provide emotionally laden roles as two people caught across a midriff divide. Tom with 4% body fat, Helen with a bit more -- can love in a body-conscious obsessed America flourish or even survive?
It's an interesting discussion that playwright Neil LaBute starts, but in its present form, Fat Pig is a 45-minute one-act masquerading as a 90-minute play. LaBute keeps to the one joke theme, thus it plays like a movie on Lifetime (TV for women) that Spike (TV for men) produced, so to speak. Over and over Tom is filled with angst about what his friends will think; Helen is confused as to why they only have dinner in darkened restaurants. Helen could be gay, Tom could be African American, Helen could be a witch, Tom could be a goat...you get the picture.
However, all that said, this play is very funny and the cast is VERY. Ms. Debelack is wonderful as the sane and calm Helen, who is almost above worrying about her weight, while Tyler Pierce keeps us liking Tom even when he is being a well-intentioned coward. Jason Odell Williams makes a wonderful Eddie Haskell-like friend in Carter and Anne Bowles, as Tom's ex Jeannie, is not the one-dimensional Barbie doll that we expect, but simply a woman scorned and using every weapon she can to get back at the man who scorned her.
Ultimately, LaBute's telling us we all should spend less time judging others on the physical level and more time judging ourselves at the intellectual/emotional/human level. For more info see http://www.studiotheatre.org. For the CurtainUp review of the NYC production see http://www.curtainup.com/fatpig.html.
Journeyman Theater's An Experiment With An Air Pump...Thought provoking and beautifully staged.
With another play about a woman who's physical imperfections make her a target by society, Journeyman Theatre has created a compelling discussion on science, medicine and should mankind draw a line in its quest for knowledge.
Switching from 1799 to 1999, playwright Shelagh Stephenson compares cadaver snatching in the late 18th century to genetic research in the late 20th. It's from the use of corpses for medical experimentation that much of modern science owes its foundation. So, the same thought would hold that genetic research that is new to us today, could be the foundation for wonderful realities a century from now.
Director Greg Henry has paced the show in a languid way that offers a chance to savor the past and present, while never seeming to lag. Jacob Muehlausen's set is an elaborate staging of an English manor, which serves double duty as past and present.
Within the cast Lindsay Allen as Isobel, the literate and very intelligent maid, presents a touching picture of a woman who's overcome life's struggles until she becomes the focus of an unscrupulous doctor who is obsessed with her physical abnormality (she has an extremely twisted spine). Becky Peters as Fenwick's drunken wife Susannah adds humor, while as the scientist Ellen provides a level of intellectual uncertainty. Matt Dunphy as the less than honorable Dr. Armstrong pushes us to contemplate how scientists view patients simply as lab specimens and not people. Andy Brownstein's Fenwick is all power and oration, while as husband Tom he is passive aggressive and pensive. Michael Paolantonio as Roget provides some inspired humor of the thesaurus mastermind.
In its own subtle way, Journeyman Theater keeps pushing the discussion envelope. This show is definitely worth a look and then a post-show discussion. For more information visit http://www.journeymentheater.org.
American Century Theater's Spoon River Anthology...Is mesmerizing, like a dance.
American Century Theater has remounted Edgar Lee Masters storytelling masterpiece making it seem modern. The show has the feel of a ballet to it, as characters ebb and flow across the stage. One tells a story, the ensemble melds together and then another Spoon River, Illinois native emerges to share their story of how they lived and died in the tiny town. It's mesmerizing in its way. Although the style can be confusing to audience members not clued in to the staging.
And when it all comes to the end, what do we discover? A lot of angry people. It's after everyone has whined, complained, cried and shared, that 96 year old Lucinda Matlock tells it like it is with: "Life is too strong for you. It takes life to love life. It takes love to life."
Director Shane Wallis and his cast have created a flowing, well-timed production. Jan Forbes set provides a look of decay, while Thomas B. Kennedy's lighting frames everything very nicely. Check it out at http://www.americancentury.org.
Arena Stage's Damn Yankees...Definitely a good time!
Molly Smith hits another homerun with her remounting of a classic work. The Adler, Ross, Abbott, Wallop musical about a struggling New York Yankee's baseball team which becomes the backdrop for one man's bet with the Devil is sweet, touching and great fun.
Mixing wonderful choreography with stellar vocal performances, Arena may not be pushing the intellectual envelope, but they are providing entertainment. And there is something to be said for that.
The production has several standout moments. The sweet affection of "Goodbye, Old Girl" (sung by Lawrence Redmond as the older Joe Boyd) is stirring. Meg Boyd's (played by Kay Walbye) attraction towards the young Joe Hardy (Matt Bogart), while not realizing that he is her husband, is humorous. Meg Gillentine's over the top, campy performance of "Whatever Lola Wants" is a show stopper, especially when it doesn't get her what she wants. And Brad Oscar as Mr. Applegate makes a cavalierly evil Devil.
The design team has melded a variety of 50's styles and created what seems to be a homage to West Side Story dance numbers. When you compare Joe Hardy's use of supernatural power to today's baseball steroid scandals, one sees how timely this "old" musical remains. For tickets go to http://www.arenastage.org.
Charter Theatre's Monkey Boy...Silly adolescent fun.
Over in Georgetown, Charter Theatre has created a new comedy about a foul mouthed, huge cockatoo who brings misfortune to its owners. Veronica (played with pensive angst by Rachel Bridges), was traumatized as a child by an abusive bird, and now as an adult is saddled with the exact same bird by her ex-husband. Desperate to unload the foul fowl, she meets a mysterious stranger Gunther (humorously played by Ray Ficca) who promises to help her get rid of "Monkey Boy" and bring good fortune back into her life. Joining Veronica on her trip of a lifetime is best friend Ginger a.k.a. "GinNtonic469" (played with glee by Hope Lambert).
Playwrights Keith Bridges, Chris Stezin and Richard Washer delve into adolescent humor with a plethora of random jokes aimed at just about everything and anything from Germans (slightly offensive), online dating, birds, ballet, animal rescue groups and seamen/semen. (I told you it was adolescent humor.)
Jim Helein as Monkey Boy, and other assorted roles, is the gem of the production as he squawks, spews out obscenities, plays a gypsy fortune teller, a superstitious sea captain and a gay hotel manager. While the writing is a bit self-indulgent, the humor is there and the story flows keeping your interest to the feather flying end. To get your ticket go to http://www.chartertheatre.org.
Solas Nua's Howie The Rookie...Riveting and compelling.
 E. Messner
(Photo: Agata Peszko) |
Mr. O'Rowe's language is poetic and at times its beauty belies the graphic subject matter that is being described. It also is very funny once you get past the thick Irish accents. And like other Irish playwrights, Mr. O'Rowe joins the humor to the horrific, so that by the time you have reached the end of this production, you have laughed, cried and cringed at the young men's fates.
Director Linda Murray once again uses a bare stage so that we are forced to hear the language and interact with the players at an intellectual level. There is no place to escape in this piece, much like the destinies of the characters.
Mr. Messner and Mr. Brick are terrific in their roles. As The Howie Lee, Mr. Messner's casual arrogance and just as casual self-effacing looks create laughs. While Mr. Brick brings a naïve and earnest self-delusion to The Rookie Lee. You end up kind of liking both men, although its doubtful you would want to invite them to dinner. To check it out, go to http://www.solasnua.org.
Extended!
Signature Theatre has extended the run of Nevermore by one week. The show will now close March 6th. To see the CurtainUp review go to http://www.curtainup.com/nevermoredc.html. For tickets -- get them now, because it is selling out -- visit http://www.signature-theatre.org.
Poe-etic...
This weekend is the 197th birthday of Edgar Allen Poe, so after you check out Signature Theatre's production of the hit Nevermore head to Westminster Hall in Baltimore for special performances of The Fall of the House of Usher and The Cask of Amontillado, which is being presented by the Edgar Allen Poe House. It's happening this weekend on January 28th and 29th. For more info see http://poecelebration.tripod.com.
Six packs...
While you are in Baltimore you might check out the "Urbanite 6 Pack." It's an opportunity to experience six of Baltimore's premiere theatres for one price. These include: CENTERSTAGE, Everyman Theatre, the Baltimore Opera, the Creative Alliance at the Patterson, the Baltimore Symphony Orchestra, and the Murphy Fine Arts Center. For more info go to http://www.urbanitebaltimore.com.
Looking beyond chocolate for Valentine's Day ideas...
Round House Theatre's Valentine's cabaret Why Do Fools Fall In Love? features Sherri Edelen, Will Gartshore, Erin Driscoll, JJ Kaczynski and Michael Sharp performing classic love songs at Round House's Silver Spring space. It's happening on Monday, February 13th at 7.30 pm. For more info go to http://www.roundhousetheatre.org.
Meanwhile, Signature Theatre and the Corcoran Gallery of Art will be holding a discussion on Edgar Allen Poe and his life. Some of the Nevermore cast members will also be singing songs from the musical. The intimate space should provide a nice backdrop for composer Matt Connor's beautiful music. It's also happening on Monday, February 13th. The talk begins at 7 pm at the Corcoran Gallery. To order tickets call the Corcoran at 202-639-1700 or visit http://www.corcoran.org/programs/dspProgramSearch.asp?Event_type_ID=5.
While out in Manassas....
Vpstart Crow has announced it's 2006 Season. (Like Olney Theatre Center, Vpstart Crow follows a calendar year format.) Their season is a mix of comedy and political intrigue.
Julius Caesar by William Shakespeare -- February 24th through March 12th, 2006 --Interestingly, the backdrop for the production is Caesar's Palace in Las Vegas.
Comedy of Errors by William Shakespeare -- April 28th through May 14th, 2006
Anne of The Thousand Days by Maxwell Anderson -- July 14th through July 30th, 2006
Tartuffe by Molière -- October 6th through October 22nd, 2006
A Christmas Carol by Vpstart Managing Director Stephen J. Cramer -- December 1st through December 17th, 2006
For more info visit http://www.vpstartcrow.com.
December 13, 2005
Three shows closing December 18th that deserve attention...
Round House Theatre's A Year with Frog and Toad...
It's not just for kids! Frog and Toad is surprisingly fresh, funny and has a great score. Director Nick Olcott's staging includes no frog suits or other animal costumes, yet kids in the audience were able to use their imaginations to realize that Frog was the one in green and Toad was the one in brown. By Disney-fying everything, could we be underestimating our youth's intelligence?
Will Gartshore (Frog) and Steve Tipton (Toad) have a wonderful chemistry and make a happy amphibian couple as they dance, dream and sing about their life-long friendship and the lovely pond they cohabitate. Meanwhile, Sherri Edelen, Erin Driscoll and Bobby Smith pop up as chipper birds and assorted mammals to add to this oversized magical musical. Jos. B. Musumeci, Jr.'s set is a wonderful storybook forest, while Rosemary Pardee's costumes add some sophistication to the menagerie.
After every performance is a question and answer session with the cast, which most of the kids in the audience seemed to love. (Listening to the questions was fun for the adults.) A great way to introduce children to live theatre.
Playing at the theatre's Bethesda space, you can purchase tickets at http://www.roundhousetheatre.org.
Keegan Theatre's Tennessee Williams Plays
Portrait of a Madonna and Suddenly Last Summer provide a look into the psyche of a playwright and the times the pieces were written. Portrait's Lucretia Collins is a bit taxing -- she's a forerunner to Blanche Dubois -- and you quickly discover a little Blanche goes a long way. But happily the piece is only 40 minutes in length. However, the main one-act Suddenly is quite riveting. Both Sheri S. Herren as Violet Venable and Marybeth Fritzky as Catherine Holly provide stark looks at women on the verge of ruin. One determined to protect her dead son's reputation at all costs; the other trying to make someone believe her bizarre tale of death before its too late for her to remember it.
Scott Graham lights up as Dr. Cukrowicz a.k.a. Doctor Sugar. And Kathryn Fuller and Mike Sherman provide mercenary performances as Catherine's mother Mrs. Holly and brother George. The play ends somewhat more vaguely than the film, but yet also provides more subtext so you realize exactly what happened to Violet's son Sebastian.
Being played at the Gunston Arts Center, you can purchase tickets at http://www.keegantheatre.com.
Didactic Theatre's Beautiful Child...
Everybody has a secret and simply lives in denial in this Nicky Silver dark comedy. Delia the mom is an alcoholic, Harry the dad is having an affair with his secretary Nan, and son Isaac is a pedophile. Melding extreme wit with stark emotion, the play keeps you off-kilter. You aren't sure if you should be laughing or horrified. To help you along, director Kristin Cornwall's cast is quite good and pulls the humor out at every opportunity.
Cecil Baldwin is almost sympathetic as pedophile Isaac who seems to really believe his 8-year old student loves him. Steve Beall's distraught dad Harry seems together, but then there are those odd moments of violence. And Karen Novak's Delia is a mother who you wouldn't trust with your bottle of Skyy or Grey Goose since she's never far from the blender. As the two parents rant about what went wrong, you kind of want to yell out "Just go look in a mirror!"
Shining in smaller roles are Glee Murray and Maya Lynne Robinson. Ms. Murray is entertainingly wide-eyed as the self-victimizing Nan who doesn't hit reality until the last few minutes when she becomes the only character to choose self-empowerment. Ms. Robinson's no nonsense Dr. Hilton is the hard-hitting and sarcastic voice of reason that for the most part goes unheeded by almost everyone except Nan.
For a complete synopsis check out http://www.curtainup.com/beautifulchild.html. Didactic's performing at the Warehouse Theater and you can purchase tickets at http://didactictheatre.com.
Discuss amongst yourselves...
This coming Saturday, December 17th Shakespeare Theatre Company will be hosting another "Classics in Context" discussion. Following the 2 p.m. matinee of The Comedy of Errors, the topic will be "Misery Loves Comedy: Identity and Duality in The Comedy of Errors." The discussion will features scholars and artists discussing their connection to the play. For more information call 202.547.1122 or visit http://www.shakespearedc.org.
Discuss amongst your elves...
Down in Manassas, Vpstart Crow's annual production of A Christmas Carol brought a surprise guest. No, not Marley's ghost. Gerald Charles Dickens, the great-great-grandson of author Charles Dickens, attended the company's December 10th performance. Dickens, who is currently winding up his own annual U.S. tour of a one-man Carol, gave Vpstart Crow's production a thumbs up according to Steve Cramer, who wrote this year's original adaptation. High praise indeed! To check out the show yourself (it wraps up this weekend) go to http://www.vpstartcrow.com.
Holiday shows you may not be aware of...
For kid's, The Puppet Company's annual production of The Nutcracker may hit the spot. You can check out a one-minute preview at http://www.thepuppetco.org.
For the more Pagan inspired, The Washington Revels' Christmas Revels at Lisner Auditorium celebrates the winter solstice with traditional dances, music and drama . This year's influences are drawn from Denmark, Finland, Iceland, Norway and Sweden. It's closing on the 18th so get your tickets. For more info go to http://www.revelsdc.org.
For recovering Catholics, Sister's Christmas Catechism is happening at American University's Harold and Sylvia Greenberg Theatre. The holiday comedy is from the creator's of the hugely successful Sister's Late Nite Catechism. This go round, Sister is determined to discover who stole the Magi's gold from Mary, Joseph and Jesus. Perhaps it was re-gifted... For tickets go to http://www.american.edu/academic.depts/cas/greenberg.
For holiday film buffs or buff holiday films, Wayside Theater (located in Middletown, VA) is offering up the stage adaptation of Jean Shepherd's popular film The Christmas Story. Little Ralphie Parker just wants a Red Ryder BB Gun for Christmas and not to get his tongue stuck on an ice cold sign pole. Of course, you know he's just going to put his eye out... Running to Christmas Eve, see http://www.waysidetheatre.org for ticket info.
For the semi-traditional, Washington's own Cathy Feininger is the writer of Baltimore Shakespeare Festival's Something Dickens This Way Comes. The comedy melds Dickens and Shakespeare for a unique take on the holidays. It's running until the 23rd. For tickets visit http://www.baltimoreshakespeare.org/homebsf05.htm#.
For those heading home for the holidays, Washington Improv Theatre is offering up Seasonal Disorder through December 30th. Taking real holiday stories and then adding some metaphorical fruitcake, WIT promises a different holiday inspired "concoction of comedy" with each performance. Being performed at Flashpoint, you can get tickets at http://www.washingtonimprovtheater.com.
For those who love a half-working toy, Washington Improv (Radio) Theater is serving an improvised holiday radio drama about -- you guessed it -- Misfit Toys. Helping us all to see "A toy's life can get pretty desperate." WIRT is also playing at Flashpoint and this show runs through December 30th too. For info go to http://www.washingtonimprovtheater.com.
For the shell fish amongst us, Lobster Boy is bringing his annual holiday pageant to the Warehouse Theater. Lobster Boy's Christmas From the Deep!!! will feature such popular guests as Lucrezia Blozia, Fullbladder, Miss Mynx Murphy,and Card Girl to name but a few. The show is this Sunday, December 17th at 7 pm and 9 pm. For info see http://www.lobsterboy.net.
For those who want to celebrate Divine-ly, the 9:30 Club is having A John Waters Christmas Live!. The director is scheduled to appear as are special guests Trixie Little and the Evil Hate Monkey. The show is happening December 22nd. For tickets go to http://www.930.com.
For those whose holidays are a cabaret, Round House Theatre is offering Just In Time for Christmas. Part of the theatre's Monday Night Cabaret Series, the show will familiar songs and carols and stars Sherri Edelen, Michael Sharp, Jody Simmons, JJ Kaczynski and Mary Payne. Being performed Monday, December 19th at Round House's Silver Spring space, you can purchase tickets at http