Interested in writing for us? With Curtainup's editor and critic in chief currently sidelined from theatergoing due to an accident, our need for some additional theater loving, insightful backups is urgent. However, able new reviewers are welcome to stay with us on a regular basis. . . so check out our Guidelines and then get back to us with details about yourself at esommer@pipeline.com
The Inheritance, Part One & Part Two -This award-winning production of a new American play arrives from London ’s West End with a top-notch cast, almost seven hours of engrossing dialogue, and an array of challenging themes.
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Tina- The Tina Turner Musical -
With the arrival of Tina on Broadway the jukebox genre takes on a feminist sound and a modern social conscience. Indeed, it may well be the first me-too musical of the millennial.Read
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The Sound Inside - beautifully written/emotionally involving play by Adam Rappl Starring Mary Louise ParkerRead
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Slave Play - Jeremy O. Harris's uncompromising, graphic, sexually explicit play Read
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Moulin Rouge! The Musical - a brightly wrapped, intricately decorated package with little inside. It's racy, sometimes vulgar, and always indifferent to historical context and narrative logic. This makes it just the right stuff for the Trump eraRead
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Beetlejuice -
Like the movie, the musical has been cast with artists who are first-rate clowns. . . . Read
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Hadestown - the most original new musical on Broadway takes us to hell and back to a soaring musical score. Read
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To Kill A Mockingbird - A beautifully acted and staged new and more relevant production of Harper Lee's iconic novel Read
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Mean Girls - Another teen audience targeted movie now sing and dances on Broadway Read
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Frozen - A visually rich production that keeps us wide-eyed and on tenterhooks for more than two hours, even when we know how things are going to end. . . Read
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Come From Away - Its uplift message has helped this fact-based musical fly from Canada to Broadway. . . Read
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Dear Evan Hansen - A small musical's big heart and big on talent cast is now a welcome addition to the Broadway musical scene. . . Read
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Sing Street - The show will transfer to Broadway's Lyceum Theatre beginning 3/26/20. based on John Carney's 2016 feature film of the same name Sing Street teams up many of the creatives from Once which was also launched at New York Theatre Workshop Read
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Harry Towsend's Last Stand- Nothing in Eastman's play, directed by Karen Carpenter, comes close to the meticulousness of the stage itself. Read
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one in two - this compelling three-actor play by Donja R. Love is receiving a superb world-premiere production under the sure-handed direction of Stevie Walker-Webb. Read
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The Thin Placeextended to 1/26/20-Lucas Hnath's new play is so willowy, so wafting, and, ultimately, so wishy-washy that the play seems to float away even as you're watching it. Read
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Judgment Day -
A 1937 play that feels very much of the moment is given an operatic staging at the Park Avenue Armory Read
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London Assurance-
a wonderful showcase for grand affectations and the presumptive attitudes. These unapologetically sustain it from beginning to end. Read
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Pumpgirl -Abby Spallen's three-hander about hard-luck lives in today's Northern Ireland
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Little Shop of Horrors - Mayer convincingly sells Little Shop of Horrors as a near-perfect piece of musical theater writing. Read
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Hamnet -
Shakespeare, played maturely with a mix of grim optimism and snarky despair by Aran Murphy in his professional debut, has been stuck at eleven for a long, long time.
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Forbidden Broadway: The Next Generation -
How did we survive this long interval without Alessandrini's insightful satirizing and inspired spoofing of Broadway shows both current and on occasion recent past? This corner welcomes it back as it again demonstrates that it has what it takes to mock the mediocre even as it also joyously celebrates the parodic life upon the wicked stage
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Mary Shelley's Frankenstein -
David Catlin has written as well as directed a stunning dramatic narrative that combines a period in the life of the novelist herself, and the circumstances that served to ignite her imagination for her novel. Read
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Salvsge - The production's world premiere at the Lounge Theater, directed by Damian D. Lewis, plucks at plenty more than just guitar strings. The acting is good. The music is formidable. Just try to remain unmoved by the songs that performers David Atkinson, Christopher Fordinal, and Nina Herzog bring forth. Read
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Amadeus -
Every now and then the stars align with a perfect play, superb direction,
set and costumes, inspired lighting and a performance by the lead that is
brilliant. Such is the case with Amadeus at the Folger Theatre, with Ian
Merrill Peakes as Salieri. Read
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White Pearl -
Anchuli Felicia King hass juxtaposed race, ethnicity and the responsibilities of the cosmetic business, which after all is engaged in the practice of illusion. Plenty of conflict to work with.
A Chorus Line - Signature Theatre has a reputation that goes far beyond its Arlington, Virginia home for taking "classic" or "forgotten" musicals and making them new again. That's certainly true of their current show Read
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